Verses
By Violet Jacob
Cover: Lake at Oodeypore, India (c. 1893), oil on canvas by Edwin Lord Weeks (1849-1903) · Wikimedia Commons · Public domain (artist died 1903)
Violet Jacob's first book of poems moves from English garden lyrics and ballads to the sights of India, where she lived with her soldier husband. A closing run of Indian poems takes in a mango grove, an opium field, a Mohammedan graveyard and a distant temple.
Summary written with Claude Sonnet 5.5.
Table of contents
- 1: To H. M. C
- 2: Half-Way
- 3: White Magic
- 4: Serenade
- 5: The Shadow
- 6: The Mill-House
- 7: ‘I Sleep but My Heart Waketh’
- 8: An Immortelle
- 9: The Two Queens
- 10: The Lost Track
- 11: At a Brookside
- 12: Revenant
- 13: To Aurelia, with a Pearl Necklace
- 14: Beyond the Walls
- 15: An Echo
- 16: A Young Moon
- 17: The Soul
- 18: The Ballad of Hakon
- 19: Ignis Fatuus
- 20: The Little Nightjar
- 21: Possession
- 22: Airlie Kirk
- 23: The Flute Player
- 24: In Lower Egypt
- 25: Winter and Spring
- 26: A Tryst
- 27: The Call
- 28: Time and Space
- 29: A Translation
- 30: Glamour
- 31: Lenore in the Oliveyards
- 32: New Year’s Eve
- 33: I. the Lilacs
- 34: Ii. Dreams
- 35: Iii. the Snow Witch
- 36: The Valley of the Kings
- 37: The Lowland Ploughman
- 38: Late February
- 39: From a Train-Window
- 40: I. in a Mango-Tope
- 41: Ii. Night in the Plains
- 42: Iii. the Resting-Place
- 43: Iv. Evening in the Opium Fields
- 44: V. ‘God Is Great’
- 45: Vi. a Mahommedan Graveyard
- 46: Vii. Cherry-Blossom at Dagshai
- 47: Viii. ‘With Military Honours’
- 48: Ix. the Distant Temple