Note 1.—On the Uses of Palm-sticks in various Manufactures. The kind of crate here mentioned is made of jereeds, or palm-sticks, which (being very soft, and easily cut and punched, in their fresh state, and very tough, difficult to break, and light, when dry,) are used in a great variety of manufactures. In making crates or baskets, and stools, bed-frames, coops, &c., a number of jereeds, being placed an inch or more apart, are fixed by two, three, or more, thicker ones, placed transversely. Round holes are punched in the latter, through which the former are inserted; and the whole becomes light and strong as soon as it is dry. Chests are made with thick jereeds placed close together, and others, pared thin, passing transversely through them.
Note 2.—Description of the Veils of Arab Women. The modern izár or eezár (for the word is written in two different ways), of Arab women, is a piece of drapery commonly worn by them when they appear in public. It is about two yards or more in width (according to the height of the wearer), and three yards in length: one edge of it being drawn from behind, over the upper part of the head and the forehead, and secured by a band sewed inside, the rest hangs down behind and on each side to the ground, or nearly so, and almost entirely envelops the person; the two ends being held so as nearly to meet in front. Thus it conceals every other part of the dress excepting a small portion of a very loose gown (which is another of the articles of walking or riding apparel), and the face-veil. It is now generally made of white calico, but a similar covering of black silk for the married, and of white silk for the unmarried, is now worn by females of the higher and middle classes, and is called a "ḥabarah."
It appears that the kind of face-veil mentioned in the same passage (in Arabic, "ḳináạ,") is a piece of muslin, about a yard or more in length, and somewhat less in width, a portion of which is placed over the head, beneath the izár, the rest hanging down in front, to the waist, or thereabout, and entirely concealing the face. I have often seen Arab women, particularly those of the Wahhábees, wearing veils of this kind composed of printed muslin, completely concealing their features, yet of sufficiently loose fabric to admit of their seeing their way. But the more common kind of Arab face-veil is a long strip of white muslin, or of a kind of black crape, covering the whole of the face excepting the eyes, and reaching nearly to the feet. It is suspended at the top by a narrow band, which passes up the forehead, and which is sewed, as are also the two upper corners of the veil, to a band that is tied round the head. This veil is called "burḳo'." The black kind is often ornamented with gold coins, false pearls, &c., attached to the upper part. It is not so genteel as the white veil, unless for a lady in mourning.
Note 3. "El-Móṣil" is the name of the city which Europeans commonly call "Mosul," "Mosoul," &c.; a city long famous for its fine stuffs. Hence our word "muslin," often termed, in Arabic, "Móṣilee," signifying, "of the manufacture of El-Móṣil."
Note 4. The wine is mentioned in the Calcutta edition of the first two hundred nights, but not in the edition of Cairo. The lady went to a Christian to purchase her wine because Muslims are not allowed to sell it.
Note 5. The "'Othmánee quinces" I suppose to be a kind so called after some person named 'Othmán who introduced it, or was famous for its culture. The term "Sulṭánee," applied to the citrons afterwards mentioned, signifies "imperial."
Note 6. A list of these sweets is given in my original, but I have thought it better to omit the names.
Note 7. The "willow-flower-water" is prepared from the sweet-scented flowers of the Oriental willow, called "bán" and "khiláf" or "khaláf;" a twig of which is, among the Arabs, a favourite emblem of a graceful female.
Note 8.—On the Vessels used for Sprinkling and Perfuming. The sprinkling-bottle, here called "mirashsh," is more commonly called "ḳumḳum," and has been alluded to in a former note, as having a spherical or wide body, and a long and narrow neck. It is generally about eight inches high, and of plain or gilt silver, or of fine brass, or china, or glass; and has a cover pierced with a small hole. This vessel is used in the houses of the rich to sprinkle a guest or visiter, before he rises to take his leave, with rose-water; after which ceremony, a page or servant presents to him a kind of censer, called "mibkharah," which is generally of one or other of the metals above mentioned, and about the same height as the ḳumḳum; and he wafts the smoke which rises from it towards his face, beard, &c., with the right hand. The body of the mibkharah, the form of which is nearly globular, surmounts a stem rising from the centre of a small circular tray; the upper half is a cover pierced with apertures for the escape of the smoke; and the lower half, in which some burning charcoal is placed, is lined, or half filled, with gypsum-plaster. Aloes-wood, previously moistened, or some other odoriferous substance, is placed upon the burning coals; and sometimes, in the houses of very wealthy persons, ambergris is used.
Note 9. This description of the outer door of a house in Baghdád is an obvious absurdity; but none of the copies of the original to which I have access authorizes my substituting "gilt" for "plated with gold;" all here agreeing in the use of words which have the latter sense.
Note 10. In their eagerness to obtain the earliest possible sight of the new moon which marks the period of the commencement of the Ramaḍán, lest they should not begin their fast as soon as the law requires, the Muslims often see the crescent one night earlier in this than in any other month. The comparison of an eyebrow to the new moon of Ramaḍán expresses, therefore, its extreme thinness, as well as its arched form. To reduce its natural thickness, and to give it this form, scissors are often used.
Note 11. "The seal of Suleymán" is a name given by the Arabs to a six-pointed star formed by two equilateral triangles intersecting each other, and to the flower which we, also, call "Solomon's seal." I fear that the reader will not consider the comparison very apposite, unless the allusion be to a beautiful red berry which, I am informed, is borne by the flower here mentioned.
Note 12.—Description of Apartments in Arab Houses. Most of the descriptions of interior domestic architecture which occur in the present work, I may aptly illustrate by availing myself of observations made in Cairo. In the houses of persons of the higher and middle classes in this city, the different apartments generally resemble each other in several respects, and are similarly furnished. The greater portion of the floor is elevated about half a foot, or somewhat more, above the rest. The higher portion is called "leewán" (a corruption of "el-eewán"), and the lower, "durḳá'ah," from the Persian "dar-gáh." When there is but one leewán, the durḳá'ah occupies the lower end, extending from the door to the opposite wall. In a handsome house, it is usually paved with white and black marble, and little pieces of red tile, inlaid in tasteful and complicated patterns; and if the room is on the ground-floor, and sometimes in other cases, it has, in the centre, a fountain which plays into a small, shallow pool, lined with coloured marbles, &c., like the surrounding pavement. The shoes, or slippers, are left upon the durḳá'ah previously to stepping upon the leewán. The latter is generally paved with common stone, and covered with a mat in summer, and a carpet over this in winter; and a mattress and cushions are placed against each of its three walls, composing what is called a "deewán," or divan. The mattress, which is commonly about three feet wide, and three or four inches thick, is placed either on the floor or on a raised frame or a slightly-elevated pavement; and the cushions, which are usually of a length equal to the width of the mattress, and of a height equal to half that measure, lean against the wall. Both mattresses and cushions are stuffed with cotton, and are covered with printed calico, cloth, or some more expensive stuff. The deewán which extends along the upper end of the leewán is called the "ṣadr," and is the most honourable: and the chief place on this seat is the corner which is to the right of a person facing this end of the room; the other corner is the next in point of honour; and the intermediate places on the same deewán are more honourable than those on the two side-deewáns. To a superior, and often to an equal, the master or mistress yields the chief place. The corners are often furnished with an additional mattress, of a square form, just large enough for one person, placed upon the other mattress, and with two additional (but smaller) cushions to recline against. The walls are, for the most part, plastered and white-washed, and generally have two or more shallow cupboards, the doors of which, as well as those of the apartments, are fancifully constructed with small panels. The windows, which are chiefly composed of curious wooden lattice-work, serving to screen the inhabitants from the view of persons without, as also to admit both light and air, commonly project outwards, and are furnished with mattresses and cushions. In many houses there are, above these, small windows of coloured glass, representing bunches of flowers, &c. The ceiling is of wood, and certain portions of it, which are carved, or otherwise ornamented by fanciful carpentry, are usually painted with bright colours, such as red, green, and blue, and sometimes varied with gilding; but the greater part of the wood-work is generally left unpainted.
The word in the original text which I translate "saloon," is "ḳá'ah." This term is applied to a large and lofty apartment, commonly having two leewáns, on opposite sides of the durḳá'ah. One of these is, in most instances, larger than the other, and is held to be the more honourable part. Some ḳá'ahs, containing three leewáns, one of these being opposite the entrance, or four leewáns composing the form of a cross with the durḳá'ah in the centre, communicate with small chambers or closets, or have elevated recesses which are furnished in the same manner as the leewáns. That part of the roof which is over the durḳá'ah rises above the rest, sometimes to nearly twice the height of the latter, and is generally surmounted by a lantern of wooden lattice-work to admit the air.
Note 13. In the Cairo edition, the couch is described as being in the midst of the saloon; but this is inconsistent with what follows.
Note 14.—Of Bábil, and the Angels Hároot and Mároot. Bábil, or Babel, is regarded by the Muslims as the fountain-head of the science of magic, which was, and, as most think, still is, taught there to mankind by two fallen angels, named Hároot and Mároot,175 who are there suspended by the feet in a great pit closed by a mass of rock.
According to the account of them generally received as correct, these two angels, in consequence of their want of compassion for the frailties of mankind, were rendered, by God, susceptible of human passions, and sent down upon the earth to be tempted: they both sinned; and, being permitted to choose whether they would be punished in this life or in the other, chose the former; but they were sent down not merely to experience temptation, being also appointed to tempt others by means of their knowledge of magic; though it appears that they were commanded not to teach this art to any man "until they had said, Verily we are a temptation; therefore, be not an unbeliever."176-–The celebrated traditionist Mujáhid is related to have visited them, under the guidance of a Jew. Having removed the mass of rock from the mouth of the pit, or well, they entered. Mujáhid had been previously charged by the Jew not to mention the name of God in their presence; but when he beheld them, resembling in size two huge mountains, and suspended upside-down, with irons attached to their necks and knees, he could not refrain from uttering the forbidden name; whereupon the two angels became so violently agitated that they almost broke the irons which confined them, and Mujáhid and his guide fled back in consternation.177
Note 15. The meaning conveyed by this comparison is "tall and slender."
Note 16. In the MS. from which the old translation was made, it appears that this lady is called Zubeydeh (which was the name of the daughter of Jaạfar the son of El-Manṣoor, and wife of Er-Rasheed); the portress, Ṣáfiyeh; and the cateress, Ámineh; but no names are given to them in any of the copies of the original to which I have access.
Note 17. Literally, "two nuṣfs." "Nuṣf," vulgarly pronounced by the Egyptians "nuṣṣ," and signifying "half," is the name of a small Egyptian coin made of a mixture of silver and copper, and now equivalent to something less than a quarter of a farthing; but this name was originally given to the half-dirhems which were struck in the reign of the Sulṭán El-Mu-eiyad, in the early part of the ninth century of the Flight, or of the fifteenth of our era. In the Calcutta edition of the first two hundred nights, and in the edition of Breslau, we read here "two dirhems," instead of "two nuṣfs." [The coin here mentioned still bears the name "Mu-eiyadee," or, vulgarly, "Meiyadee." In the latest coinage, copper has been substituted for the mixed metal. Ed.]
Note 18. The "menáreh" is the tower of a mosque, commonly called by English writers "minaret," which generally rises from a square base.
Note 19. It is a common custom in the East to seal the doors of store-houses with a lump of clay, lest the lock should be picked.
Note 20. I here deviate a little from the Cairo edition, in which the cateress is described as having drunk three cups of wine successively before she handed any to her sisters. My reason for this will presently be seen.
Note 21. Thus in two editions. In the Cairo edition, "tukellimuhu" is put for "telkumuhu."
Note 22. On Wine, Fruits, Flowers, and Music, in Illustration of Arab Carousals. I here pass over an extremely objectionable scene, which, it is to be hoped, would convey a very erroneous idea of the manners of Arab ladies; though I have witnessed, at private festivities in Cairo, abominable scenes, of which ladies, screened behind lattices, were spectators. Can the same be said with respect to the previous carousal? This is a question which cannot be answered in a few words.
The prohibition of wine, or, rather, of fermented and intoxicating liquors, being one of the most remarkable and important points of the Mohammadan religion, it might be imagined that the frequent stories in this work, describing parties of Muslims as habitually indulging in the use of forbidden beverages, are scandalous misrepresentations of Arab manners and customs. There are, however, many similar anecdotes interspersed in the works of Arab historians, which (though many of them are probably untrue in their application to particular individuals) could not have been offered to the public by such writers if they were not of a nature consistent with the customs of a considerable class of the Arab nation.
In investigating this subject, it is necessary, in the first place, to state, that there is a kind of wine which Muslims are permitted to drink. It is properly called "nebeedh" (a name which is now given to prohibited kinds of wine), and is generally prepared by putting dry grapes, or dry dates, in water, to extract their sweetness, and suffering the liquor to ferment slightly, until it acquires a little sharpness or pungency. The Prophet himself was in the habit of drinking wine of this kind, which was prepared for him in the first part of the night; he drank it on the first and second days following; but if any remained on the morning of the third day, he either gave it to his servants or ordered it to be poured out upon the ground.178 Such beverages have, therefore, been drunk by the strictest of his followers; and Ibn-Khaldoon strongly argues that nebeedh thus prepared from dates was the kind of wine used by the Khaleefehs Hároon Er-Rasheed and El-Ma-moon, and several other eminent men, who have been commonly accused of habitually and publicly indulging in debauches of wine properly so called; that is, of inebriating liquors.179
Nebeedh, prepared from raisins, is commonly sold in Arab towns, under the name of "zebeeb," which signifies "raisins." This I have often drunk in Cairo; but never could perceive that it was in the slightest degree fermented. Other beverages, to which the name of "nebeedh" has been applied (though, like zebeeb, no longer called by that name), are also sold in Arab towns. The most common of these is an infusion of licorice, and called by the name of the root, "'erḳ-soos." The nebeedh of dates is sold in Cairo with the dates themselves in the liquor; and in like manner is that of figs. Under the same appellation of "nebeedh" have been classed the different kinds of beer now commonly called "boozeh," which have been mentioned in former pages. Opium, hemp, &c., are now more frequently used by the Muslims to induce intoxication or exhilaration. The young leaves of the hemp are generally used alone, or mixed with tobacco, for smoking; and the capsules, without the seeds, enter into the composition of several intoxicating conserves. Some remarks upon this subject have been inserted in a former note.
By my own experience I am but little qualified to pronounce an opinion respecting the prevalence of drinking wine among the Arabs; for, never drinking it myself, I had little opportunity of observing others do so during my residence among Muslims. I judge, therefore, from the conversations and writings of Arabs, which justify me in asserting that the practice of drinking wine in private, and by select parties, is far from being uncommon among modern Muslims, though certainly more so than it was before the introduction of tobacco into the East, in the beginning of the seventeenth century of our era; for this herb, being in a slight degree exhilarating, and at the same time soothing, and unattended by the injurious effects that result from wine, is a sufficient luxury to many who, without it, would have recourse to intoxicating beverages merely to pass away hours of idleness. The use of coffee, too, which became common in Egypt, Syria, and other countries, besides Arabia, a century earlier than tobacco, doubtless tended to render the habit of drinking wine less general. That it was adopted as a substitute for wine appears even from its name, "ḳahweh," an old Arabic term for wine; whence the Turkish "ḳahveh," the Italian "caffe," and our "coffee."
There is an Arabic work of some celebrity, and not of small extent, entitled "Ḥalbet el-Kumeyt,"180 apparently written shortly before the Arabs were in possession of the first of the above-mentioned substitutes for wine, nearly the whole of which consists of anecdotes and verses relating to the pleasures resulting from, or attendant upon, the use of wine; a few pages at the end being devoted to the condemnation of this practice, or, in other words, to prove the worthlessness of all that precedes. Of this work I possess a copy, a quarto volume of 464 pages. I have endeavoured to skim its cream; but found it impossible to do so without collecting, at the same time, a considerable quantity of most filthy scum; for it is characterised by wit and humour plentifully interlarded with the grossest and most revolting obscenity; yet it serves to confirm what has been above asserted. The mere existence of such a work (and it is not the only one of the kind), written by a man of learning, and I believe a Ḳáḍee, a judge, or one holding the honourable office of a guardian of religion and morality,181—written, too, evidently with pleasure, notwithstanding his assertion to the contrary,—is a strong argument in favour of the prevalence of the practice which it paints in the most fascinating colours, and then condemns. Its author terminates a chapter (the ninth), in which many well-known persons are mentioned as having been addicted to wine, by saying, that the Khaleefehs, Emeers, and Wezeers, so addicted, are too numerous to name in such a work; and by relating a story of a man who placed his own wife in pledge in the hands of a wine-merchant, after having expended in the purchase of the forbidden liquor all the property that he possessed. He excuses himself (in his preface) for writing this book, by saying that he had been ordered to do so by one whom he could not disobey; thus giving us a pretty strong proof that a great man in his time was not ashamed of avowing his fondness for the prohibited enjoyment. If, then, we admit the respectable authority of Ibn-Khaldoon, and acquit of the vice of drunkenness those illustrious individuals whose characters he vindicates, we must still regard most of the anecdotes relating to the carousals of other persons as being not without foundation.
One of my friends, who enjoys a high reputation, ranking among the most distinguished of the 'Ulamà of Cairo, is well known to his intimate acquaintances as frequently indulging in the use of forbidden beverages with a few select associates. I disturbed him and his companions by an evening visit on one of these occasions, and was kept waiting within the street-door while the guests quickly removed everything that would give me any indication of the manner in which they had been employed; for the announcement of my (assumed) name, and their knowledge of my abstemious character, completely disconcerted them. I found them, however, in the best humour. They had contrived, it appeared, to fill with wine a china bottle, of the kind used at that season (winter) for water; and when any one of them asked the servant for water, this bottle was brought to him; but when I made the same demand, my host told me that there was a bottle of water on the sill of the window behind that part of the deewán upon which I was seated. The evening passed away very pleasantly, and I should not have known how unwelcome was my intrusion had not one of the guests with whom I was intimately acquainted, in walking part of the way home with me, explained to me the whole occurrence. There was with us a third person, who, thinking that my antipathy to wine was feigned, asked me to stop at his house on my way, and take a cup of "white coffee," by which he meant brandy.
Another of my Muslim acquaintances in Cairo I frequently met at the house of a mutual friend, where, though he was in most respects very bigoted, he was in the habit of indulging in wine. For some time he refrained from this gratification when I was present; but at length my presence became so irksome to him, that he ventured to enter into an argument with me on the subject of the prohibition. The only answer I could give to his question, "Why is wine forbidden?"—was in the words of the Ḳur-án, "Because it is the source of more evil than profit."182 This suited his purpose, as I intended it should; and he asked, "What evil results from it?" I answered, "Intoxication and quarrels, &c."—"Then," said he, "if a man take not enough to intoxicate him there is no harm;"—and finding that I acquiesced by silence, he added, "I am in the habit of taking a little; but never enough to intoxicate. Boy, bring me a glass."—He was the only Muslim, however, whom I have heard to argue against the absolute interdiction of inebriating liquors.
Histories tell us that some of the early followers of the Prophet indulged in wine, holding the text above referred to as indecisive; and that Moḥammad was at first doubtful upon this subject appears from another text, in which his followers were told not to come to prayer when they were drunk, until they should know what they would say;183 an injunction somewhat similar to one in the Bible;184 but when frequent and severe contentions resulted from their use of wine, the following more decided condemnation of the practice was pronounced:—"O ye who have become believers, verily wine and lots and images and divining-arrows are an abomination of the work of the Devil; therefore, avoid them, that ye may prosper."185 This law is absolute: its violation in the smallest degree is criminal. The punishment ordained by the law for drinking (or, according to most doctors, for even tasting) wine or spirits, or inducing intoxication by any other means, on ordinary occasions, is the infliction of eighty stripes in the case of a free man, and forty in that of a slave; but if the crime be openly committed in the course of any day of the month of Ramaḍán, when others are fasting, the punishment prescribed is death!
The prohibition of wine hindered many of the Prophet's contemporaries from embracing his religion. It is said that the famous poet El-Aạshà, who was one of them, delayed to join his cause on this account, until death prevented him. A person passing by his tomb (at Menfooḥáh, in El-Yemámeh), and observing that it was moist, asked the reason, and was answered, that the young men of the place, considering him still as their cup-companion, drank wine over his grave, and poured his cup upon it.186 Yet many of the most respectable of the pagan Arabs, like certain of the Jews and early Christians, abstained totally from wine, from a feeling of its injurious effects upon morals, and, in their climate, upon health; or, more especially, from the fear of being led by it into the commission of foolish and degrading actions. Thus, Ḳeys the son of 'Áṣim, being one night overcome with wine, attempted to grasp the moon, and swore that he would not quit the spot where he stood until he had laid hold of it: after leaping several times with the view of doing so, he fell flat upon his face; and when he recovered his senses, and was acquainted with the cause of his face being bruised, he made a solemn vow to abstain from wine ever after.187 A similar feeling operated upon many Muslims more than religious principle. The Khaleefeh 'Abd-El-Melik Ibn-Marwán took pleasure in the company of a slave named Naṣeeb, and one day desired him to drink with him. The slave replied, "O Prince of the Faithful, I am not related to thee, nor have I any authority over thee, and I am of no rank or lineage: I am a black slave, and my wit and politeness have drawn me into thy favour: how then shall I take that which will plunder me of these two qualities; and by what shall I then propitiate thee?" The Khaleefeh admired and excused him.188
It was the custom of many Muslim princes, as might be inferred from the above anecdote, to admit the meanest of their dependants to participate in their unlawful carousals when they could have no better companions; but poets and musicians were their more common associates on these occasions; and these two classes, and especially the latter, are in the present day the most addicted to intoxicating liquors. Few modern Arab musicians are so well contented with extraordinary payment and mere sweet sherbet as with a moderate fee and plenty of wine and brandy; and many of them deem even wine but a sorry beverage.
It was usual with the host and guests at wine-parties to wear dresses of bright colours, red, yellow, and green;189 and to perfume their beards and mustaches with civet, or to have rose-water sprinkled upon them; and ambergris or aloes-wood, or some other odoriferous substance, placed upon burning coals in a censer, diffused a delicious fragrance throughout the saloon of the revels.
The wine, it appears, was rather thick; for it was necessary to strain it:190 it was probably sweet, and not strong; for it was drunk in large quantities. Frequently, perhaps, it was nebeedh of dry raisins kept longer than the law allows. It was usually kept in a large earthen vessel, called "denn," high, and small at the bottom, which was partly imbedded in the earth to keep it upright. The name of this vessel is now given to a cask of wood; but the kind above mentioned was of earth; for it was easily broken.—A famous saint, Abu-l-Ḥoseyn En-Nooree, seeing a vessel on the Tigris containing thirty denns belonging to the Khaleefeh El-Moạtaḍid, and being told that they contained wine, took a boat-pole, and broke them all, excepting one. When brought before the Khaleefeh to answer for this action, and asked by him, "Who made thee Moḥtesib?"191 he boldly answered, "He who made thee Khaleefeh!"—and was pardoned.192—Pitch was used by the Arabs, as it was by the Greeks and Romans, for the purpose of curing their wine; the interior of the denn being coated with it. A smaller kind of earthen jar, or amphora,193 and a bottle of leather,194 or of glass,195 were also used. The wine was transferred for the table to glass jugs, or long-spouted ewers.196 These and the cups were placed upon a round embroidered cloth spread on the floor, or upon a round tray. The latter now is in general use, and is supported on a low stool, described in a former note, as being used at ordinary meals. The guests sat around, reclining against pillars; or they sat upon the deewán, and a page or slave handed the cup, having on his right arm a richly-embroidered napkin: the person after drinking took the end of this to wipe his lips. The cups are often described as holding a fluid pound, or little less than an English pint; and this is to be understood literally, or nearly so: they were commonly of cut glass; but some were of crystal, or silver, or gold.197 With these and the ewers or jugs were placed several saucers, or small dishes,198 of fresh and dried fruits;199 and fans and fly-whisks, of the kinds described on a former occasion, were used by the guests.
The most common and esteemed fruits in the countries inhabited by the Arabs may here be mentioned.
The date200 deserves the first place. The Prophet's favourite fruits were fresh dates201 and water-melons; and he ate them both together.202 "Honour," said he, "your paternal aunt, the date-palm; for she was created of the earth of which Adam was formed."203 It is said that God hath given this tree as a peculiar favour to the Muslims; that he hath decreed all the date-palms in the world to them, and they have accordingly conquered every country in which these trees are found; and all are said to have derived their origin from the Hejáz.204 The palm-tree has several well-known properties that render it an emblem of a human being; among which are these; that if the head be cut off, the tree dies; and if a branch be cut off, another does not grow in its place.205 Dates are preserved in a moist state by being merely pressed together in a basket or skin, and thus prepared are called "'ajweh." There are many varieties of this fruit. The pith or heart of the palm206 is esteemed for its delicate flavour.
The water-melon,207 from what has been said of it above, ought to be ranked next; and it really merits this distinction. "Whoso eateth," said the Prophet, "a mouthful of water-melon, God writeth for him a thousand good works, and cancelleth a thousand evil works, and raiseth him a thousand degrees; for it came from Paradise;"—and again, "The water-melon is food and drink, acid and alkali, and a support of life," &c.208 The varieties of this fruit are very numerous.
The banana209 is a delicious fruit. The Prophet pronounced the banana-tree to be the only thing on earth that resembles a thing in Paradise; because it bears fruit both in winter and summer.210
The pomegranate211 is another celebrated fruit. Every pomegranate, according to the Prophet, contains a fecundating seed from Paradise.212
The other most common and esteemed fruits are the following:—the apple, pear, quince, apricot, peach, fig, sycamore-fig, grape, lote, jujube, plum, walnut, almond, hazel-nut, pistachio-nut, orange, Seville-orange, lime and lemon, citron, mulberry, olive, and sugar-cane.213
Of a selection of these fruits consists the dessert which accompanies the wine; but the table is not complete without a bunch or two of flowers placed in the midst.
Though the Arabs are far from being remarkable for exhibiting taste in the planning of their gardens, they are passionately fond of flowers, and especially of the rose.214—The Khaleefeh El-Mutawekkil monopolized roses for his own enjoyment; saying, "I am the King of Sulṭáns, and the rose is the king of sweet-scented flowers; therefore each of us is most worthy of the other for a companion." The rose, in his time, was seen nowhere but in his palace: during the season of this flower he wore rose-coloured clothes; and his carpets, &c., were sprinkled with rose-water.215 A similar passion for the rose is said to have distinguished a weaver, in the reign of El-Ma-moon. He was constantly employed at his loom every day of the year, even during the congregational prayers of Friday, excepting in the rose-season, when he abandoned his work, and gave himself up to the enjoyment of wine, early in the morning and late in the evening, loudly proclaiming his revels by singing,—
"The season has become pleasant! The time of the rose has come! Take your morning potations, as long as the rose has blossoms and flowers!"
When he resumed his work, he made it known by singing aloud,—
"If my Lord prolong my life until the rose-season, I will take again my morning potations: but if I die before it, alas! for the loss of the rose and wine!
"I implore the God of the supreme throne, whose glory be extolled, that my heart may continually enjoy the evening potations to the day of resurrection."
—The Khaleefeh was so amused with the humour of this man, that he granted him an annual pension of ten thousand dirhems to enable him to enjoy himself amply on these occasions.216—Another anecdote may be added to shew the estimation of the rose in the mind of an Arab. It is said that Rowḥ Ibn-Ḥátim, the governor of the province of Northern Africa, was sitting one day, with a female slave, in an apartment of his palace, when a eunuch brought him a jar full of red and white roses, which a man had offered as a present. He ordered the eunuch to fill the jar with silver in return; but his concubine said, "O my lord, thou hast not acted equitably towards the man; for his present to thee is of two colours, red and white." The Emeer replied, "Thou hast said truly;" and gave orders to fill the jar for him with silver and gold (dirhems and deenárs) intermixed.217—Some persons preserve roses during the whole of the year, in the following manner. They take a number of rose-buds, and fill with them a new earthen jar, and, after closing its mouth with mud, so as to render it impervious to the air, bury it in the earth. Whenever they want a few roses, they take out some of these buds, which they find unaltered, sprinkle a little water upon them, and leave them for a short time in the air, when they open, and appear as if just gathered.218—The rose is even a subject of miracles. It is related by Ibn-Ḳuteybeh, that there grows in India a kind of rose upon the leaves of which is inscribed, "There is no deity but God."219 But I find a more particular account of this miraculous rose. A person, who professed to have seen it, said, "I went into India, and I saw, at one of its towns, a large rose, sweet-scented, upon which was inscribed, in white characters, 'There is no deity but God; Moḥammad is God's apostle: Aboo-Bekr is the very veracious: 'Omar is the discriminator;' and I doubted of this, whether it had been done by art; so I took one of the blossoms not yet opened, and in it was the same inscription; and there were many of the same kind there. The people of that place worshipped stones, and knew not God, to whom be ascribed might and glory."220—Roses are announced for sale in the streets of Cairo by the cry of "The rose was a thorn: from the sweat of the Prophet it blossomed!" in allusion to a miracle recorded of Moḥammad. "When I was taken up into heaven," said the Prophet, "some of my sweat fell upon the earth, and from it sprang the rose; and whoever would smell my scent, let him smell the rose." In another tradition it is said, "The white rose was created from my sweat on the night of the Meạráj;221 and the red rose, from the sweat of Jebraeel;222 and the yellow rose, from the sweat of El-Buráḳ."223—The Persians take especial delight in roses; sometimes spreading them as carpets or beds on which to sit or recline in their revellings.
But there is a flower pronounced more excellent than the rose; that of the Egyptian privet, or Lawsonia inermis.224 Moḥammad said, "The chief of the sweet-scented flowers of this world and of the next is the fághiyeh;" and this was his favourite flower.225 I approve of his taste; for this flower, which grows in clusters somewhat like those of the lilac, has a most delicious fragrance. But, on account of discrepancies in different traditions, a Muslim may, with a clear conscience, prefer either of the two flowers next mentioned.
The Prophet said of the violet,226 "The excellence of the extract of violets, above all other extracts, is as the excellence of me above all the rest of the creation: it is cold in summer and hot in winter:" and, in another tradition, "The excellence of the violet is as the excellence of El-Islám above all other religions."227 A delicious sherbet is made of a conserve of sugar and violet-flowers.
The myrtle228 is the rival of the violet. "Adam," said the Prophet, "fell down from Paradise with three things; the myrtle, which is the chief of sweet-scented flowers in this world; an ear of wheat, which is the chief of all kinds of food in this world; and pressed dates, which are the chief of the fruits of this world."229
The anemone230 was monopolized for his own enjoyment by Noạmán Ibn-El-Mundhir (King of El-Ḥeereh, and contemporary of Moḥammad), as the rose was afterwards by El-Mutawekkil.231
Another flower much admired and celebrated in the East is the gilliflower.232 There are three principal kinds; the most esteemed is the yellow, or golden-coloured, which has a delicious scent both by night and day; the next, the purple, and other dark kinds, which have a scent only in the night; the least esteemed, the white, which has no scent. The yellow gilliflower is an emblem of a neglected lover.233
The narcissus234 is very highly esteemed. Galen says, "He who has two cakes of bread, let him dispose of one of them for some flowers of the narcissus; for bread is the food of the body, and the narcissus is the food of the soul." Hippocrates, too, gave a similar opinion.235
The following flowers complete the list of those celebrated as most appropriate to add to the delights of wine:—the jasmine, eglantine, Seville-orange-flower, lily, sweet-basil, wild thyme, buphthalmum, chamomile, nenuphar, lotus, pomegranate-flower, poppy, ketmia, crocus or saffron, safflower, flax, the blossoms of different kinds of bean, and those of the almond.236
A sprig of Oriental willow237 adds much to the charms of a bunch of flowers, being the favourite symbol of a graceful female.
But I have not yet mentioned all that contributes to the pleasures of an Eastern carousal. For the juice of the grape is not fully relished without melodious sounds. "Wine is as the body; music, as the soul; and joy is their offspring."238 All the five senses should be gratified. For this reason, an Arab toper, who had nothing, it appears, but wine to enjoy, exclaimed,—
"Ho! give me wine to drink; and tell me, 'This is wine.'"
For, on drinking, his sight and smell and taste and touch would all be affected; but it was desirable that his hearing should also be pleased.239
Music was condemned by the Prophet almost as severely as wine. "Singing and hearing songs," said he, "cause hypocrisy to grow in the heart, like as water promoteth the growth of corn:"240—and musical instruments he declared to be among the most powerful means by which the Devil seduces man. An instrument of music is the Devil's muëddin, serving to call men to his worship, as stated in a former note. Of the hypocrisy of those attached to music, the following anecdote presents an instance:—A drunken young man with a lute in his hand was brought one night before the Khaleefeh 'Abd-El-Melik the son of Marwán, who, pointing to the instrument, asked what it was, and what was its use. The youth made no answer; so he asked those around him; but they also remained silent, till one, more bold than the rest, said, "O Prince of the Faithful, this is a lute: it is made by taking some wood of the pistachio-tree, and cutting it into thin pieces, and glueing these together, and then attaching over them these chords, which, when a beautiful girl touches them, send forth sounds more pleasant than those of rain falling upon a desert land; and my wife is separated from me by a triple divorce if every one in this council is not acquainted with it, and doth not know it as well as I do, and thou the first of them, O Prince of the Faithful." The Khaleefeh laughed, and ordered that the young man should be discharged.241
The latter saying of the Prophet, respecting the Devil, suggests to me the insertion of another anecdote, related of himself by Ibráheem El-Móṣilee, the father of Is-ḥáḳ; both of whom were very celebrated musicians. I give a translation of it somewhat abridged.—"I asked Er-Rasheed," says Ibráheem, "to grant me permission to spend a day at home with my female slaves and brothers; and he gave me two thousand deenárs, and appointed the next Saturday for this purpose. I caused the meats and wine and other necessaries to be prepared, and ordered the chamberlain to close the door, and admit no one: but while I was sitting, with my attendants standing in the form of a curved line before me, there entered, and approached me, a sheykh, reverend and dignified and comely in appearance, wearing short khuffs,242 and two soft gowns, with a ḳalensuweh243 upon his head, and in his hand a silver-headed staff; and sweet odours were diffused from his clothes. I was enraged with the chamberlain for admitting him; but on his saluting me in a very courteous manner, I returned his salutation, and desired him to sit down. He then began to repeat to me stories, tales of war, and poetry; so that my anger was appeased, and it appeared to me that my servants had not presumed to admit him until acquainted with his politeness and courteousness; I therefore said to him, 'Hast thou any inclination for meat?' He answered, 'I have no want of it.'—'And the wine?' said I. He replied, 'Yes.' So I drank a large cupful, and he did the same, and then said to me, 'O Ibráheem, wilt thou let us hear some specimen of thy art in which thou hast excelled the people of thy profession?' I was angry at his words; but I made light of the matter, and, having taken the lute and tuned it, I played and sang; whereupon he said, 'Thou hast performed well, O Ibráheem.' I became more enraged, and said within myself, 'He is not content with coming hither without permission, and asking me to sing, but he calls me by my name, and proves himself unworthy of my conversation.' He then said, 'Wilt thou let us hear more? If so, we will requite thee.' And I took the lute, and sang, using my utmost care, on account of his saying, 'we will requite thee.' He was moved with delight, and said, 'Thou hast performed well, O my master Ibráheem:'—adding, 'Wilt thou permit thy slave to sing?' I answered, 'As thou pleasest:'—but thinking lightly of his sense to sing after me. He took the lute, and tuned it; and, by Allah! I imagined that the lute spoke in his hands with an eloquent Arab tongue. He proceeded to sing some verses commencing,—
'My heart is wounded! Who will give me, for it, a heart without a wound?'
The narrator continues by saying, that he was struck dumb and motionless with ecstasy; and that the strange sheykh, after having played and sung again, and taught him an enchanting air (with which he afterwards enraptured his patron, the Khaleefeh), vanished. Ibráheem, in alarm, seized his sword; and was the more amazed when he found that the porter had not seen the stranger enter or leave the house; but he heard his voice again, outside, telling him that he was Aboo-Murrah (the Devil).244—Two other anecdotes of a similar kind are related in the work from which the above is taken.
Ibráheem El-Móṣilee, his son Is-ḥáḳ, and Mukháriḳ (a pupil of the former), were especially celebrated among the Arab musicians, and among the distinguished men of the reign of Hároon Er-Rasheed. Is-ḥáḳ El-Móṣilee relates, of his father Ibráheem, that when Er-Rasheed took him into his service, he gave him a hundred and fifty thousand dirhems, and allotted him a monthly pension of ten thousand dirhems, besides occasional presents [one of which is mentioned as amounting to a hundred thousand dirhems for a single song], and the produce of his (Ibráheem's) farms: he had food constantly prepared for him; three sheep every day for his kitchen, besides birds; three thousand dirhems were allowed him for fruits, perfumes, &c., every month, and a thousand dirhems for his clothing; "and with all this," says his son, "he died without leaving more than three thousand deenárs, a sum not equal to his debts, which I paid after his death."245—Ibráheem was of Persian origin, and of a high family. He was commonly called the Nedeem (or cup-companion), being Er-Rasheed's favourite companion at the wine-table; and his son, who enjoyed the like distinction with El-Ma-moon, received the same appellation, as well as that of "Son of the Nedeem." Ibráheem was the most famous musician of his time, at least till his son attained celebrity.246
Is-ḥáḳ El-Móṣilee was especially famous as a musician; but he was also a good poet, accomplished in general literature, and endowed with great wit. He was honoured above all other persons in the pay of El-Ma-moon, and enjoyed a long life; but for many years before his death he was blind.247
Mukháriḳ appears to have rivalled his master Ibráheem. The latter, he relates, took him to perform before Er-Rasheed, who used to have a curtain suspended between him and the musicians. "Others," he says, "sang, and he was unmoved; but when I sang, he came forth from behind the curtain, and exclaimed, 'Young man, hither!' and he seated me upon the sereer [a kind of couch], and gave me thirty thousand dirhems."248 The following anecdote (which I abridge a little in translation) shews his excellence in the art which he professed, and the effect of melody on an Arab:—"After drinking with the Khaleefeh249 a whole night, I asked his permission," says he, "to take the air in the Ruṣáfeh,250 which he granted; and while I was walking there, I saw a damsel who appeared as if the rising sun beamed from her face. She had a basket, and I followed her. She stopped at a fruiterer's, and bought some fruit; and observing that I was following her, she looked back and abused me several times; but still I followed her until she arrived at a great door, after having filled her basket with fruits and flowers and similar things. When she had entered, and the door was closed behind her, I sat down opposite to it, deprived of my reason by her beauty; and knew that there must be in the house a wine-party. The sun went down upon me while I sat there; and at length there came two handsome young men on asses, and they knocked at the door, and when they were admitted I entered with them; the master of the house thinking that I was their companion, and they imagining that I was one of his friends. A repast was brought, and we ate, and washed our hands, and were perfumed. The master of the house then said to the two young men, 'Have ye any desire that I should call such a one?' (mentioning a female name). They answered, 'If thou wilt grant us the favour, well:'—so he called for her, and she came, and lo, she was the maiden whom I had seen before, and who had abused me. A servant-maid preceded her, bearing her lute, which she placed in her lap. Wine was then brought, and she sang while we drank, and shook with delight. 'Whose air is that?' they asked. She answered, 'Seedee251 Mukháriḳ's.' She then sang another air, which, also, she said was mine; while they drank by pints; she looking aside and doubtfully at me until I lost my patience, and called out to her to do her best: but in attempting to do so, singing a third air, she overstrained her voice, and I said, 'Thou hast made a mistake:'—upon which she threw the lute from her lap, in anger, so that she nearly broke it; saying, 'Take it thyself, and let us hear thee.' I answered, 'Well;' and, having taken it and tuned it perfectly, sang the first of the airs which she had sung before me; whereupon all of them sprang upon their feet, and kissed my head. I then sang the second air, and the third; and their reason almost fled, from ecstasy. The master of the house, after asking his guests, and being told by them that they knew me not, came to me, and, kissing my hand, said, 'By Allah, my master, who art thou?' I answered, 'By Allah, I am the singer Mukháriḳ.'—'And for what purpose,' said he, kissing both my hands, 'camest thou hither?' I replied, 'As a spunger;'—and related what had happened with respect to the maiden: whereupon he looked towards his two companions, and said to them, 'Tell me, by Allah, do ye not know that I gave for that girl thirty thousand dirhems, and have refused to sell her?' They answered, 'It is so.' Then said he, 'I take you as witnesses that I have given her to him.'—'And we,' said the two friends, 'will pay thee two-thirds of her price.' So he put me in possession of the girl, and in the evening, when I departed, he presented me also with rich dresses and other gifts, with all of which I went away; and as I passed the places where the maiden had abused me, I said to her, 'Repeat thy words to me;' but she could not, for shame. Holding the girl's hand, I went with her immediately to the Khaleefeh, whom I found in anger at my long absence; but when I related my story to him he was surprised, and laughed, and ordered that the master of the house and his two friends should be brought before him, that he might requite them: to the former he gave forty thousand dirhems; to each of his two friends, thirty thousand; and to me, a hundred thousand; and I kissed his feet, and departed."252
It is particularly necessary for the Arab musician, that he have a retentive memory, well stocked with choice pieces of poetry, and with facetious or pleasant anecdotes, interspersed with songs; and that he have a ready wit, aided by dramatic talent, to employ these materials with good effect. If, to such qualifications, he adds fair attainments in the difficult rules of grammar, a degree of eloquence, comic humour, and good temper, and is not surpassed by many in his art, he is sure to be a general favourite. Very few Muslims of the higher classes have condescended to study music, because they would have been despised by their inferiors for doing so; or because they themselves have despised or condemned the art. Ibráheem, the son of the Khaleefeh El-Mahdee, and competitor of El-Ma-moon, was a remarkable exception: he is said to have been an excellent musician, and a good singer.
In the houses of the wealthy, the vocal and instrumental performers were usually (as is the case in many houses in the present age) domestic female slaves, well instructed in their art by hired male or female professors. In the work before us, these slaves are commonly described as standing or sitting unveiled in the presence of male guests; but, from several descriptions of musical entertainments that I have met with in Arabic works, it appears that, according to the more approved custom in respectable society, they were concealed on such occasions behind a curtain, which generally closed the front of an elevated recess. In all the houses of wealthy Arabs that I have entered, one or each of the larger saloons has an elevated closet, the front of which is closed by a screen of wooden lattice-work, to serve as an orchestra for the domestic or hired female singers and instrumental performers. Of the hired performers, any further mention is not here required; but of the slaves and free ladies who supplied their place, a few words must be added, as very necessary to illustrate the preceding and many other tales in this work.
To a person acquainted with modern Arabian manners, it must appear inconsistent with truth to describe such females as exposing their faces before strange men, unless he can discover in sober histories some evidence of their having been less strict in this respect than the generality of Arab females at the present period. I find, however, a remarkable proof that such was the case in the latter part of the ninth century of the Flight, and the beginning of the tenth: that is, about the end of the fifteenth century of our era. The famous historian Es-Suyooṭee, who flourished at this period, in his preface to a curious work on wedlock, written to correct the corrupt manners of his age, says,—"Seeing that the women of this time deck themselves with the attire of prostitutes, and walk in the sooḳs (or market-streets), like female warriours against the religion, and uncover their faces and hands before men, to incline [men's] hearts to them by evil suggestions, and play at feasts with young men, thereby meriting the anger of the Compassionate [i.e. God], and go forth to the public baths and assemblies, with various kinds of ornaments and perfumes, and with conceited gait; for the which they shall be congregated in Hell-fire, for opposing the good, and on account of this their affected gait, while to their husbands they are disobedient, behaving to them in the reverse manner, excepting when they fear to abridge their liberty of going abroad by such conduct; for they are like swine and apes in their interior nature, though like daughters of Adam in their exterior appearance; especially the women of this age; not advising their husbands in matters of religion, but the latter erring in permitting them to go out to every assembly; sisters of devils and demons, &c. &c.... I have undertaken the composition of this volume."253 A more convincing testimony than this, I think, cannot be required.
The lute (el-'ood) is the only instrument that is generally described as used at the entertainments which we have been considering. Engravings of this and other musical instruments are given in my work on the Modern Egyptians. The Arab viol (called rabáb) was commonly used by inferior performers. (See also Note 26, below.)
The Arab music is generally of a soft and plaintive character, and particularly that of the most refined description, which is distinguished by a remarkable peculiarity, the division of tones into thirds. The singer aims at distinct enunciation of the words, for this is justly admired; and delights in a trilling style. The airs of songs are commonly very short and simple, adapted to a single verse, or even to a single hemistich; but in the instrumental music there is more variety.
Note 23. This is often said to a person whose presence is disagreeable to his companions.
Note 24.—On the Ḳalenderees. In the old translation, these three strangers are called "Calenders;" that is, "Ḳalenderees:" but in the Calcutta edition of the first two hundred nights, and the edition of Breslau, they are designated as "Ḳarendelees," "miserable or ridiculous beggars;" and in that of Cairo, the term applied to them is "ṣa'áleek," or, simply, "paupers," or "mendicants." Some may suppose the right reading to be "Ḳalenderees;" for it was a custom of this order of Darweeshes to shave their beards: they were forbidden to do so in the year of the Flight 761,254 by the Sulṭán of Egypt (El-Melik en-Náṣir El-Ḥasan); but whether they afterwards reverted to this habit, I do not know. The order of the Ḳalenderees, however, was not founded until about the commencement of the fifth century of the Flight,255 a period long posterior to that to which the tale relates.
Note 25. In the edition of Cairo, they are said to have arrived from Greece.
Note 26.—On the Persian Harp. This instrument is called in Arabic "junk," from the Persian "chang." It has almost fallen into disuse, and I have never seen it: I am enabled, however, to give two sketches of its form through the kindness of the [late] Right Honourable Sir Gore Ouseley, who has favoured me with drawings made from two of the most satisfactory representations of it in his rich collection of Oriental MSS.; the first, about 350 years old; the second 410. The number of strings, he informs me, vary from 20 to 27.
Note 27.—On the Title and Office of Khaleefeh. As most of our best authors on Oriental subjects have for some years past deviated from our old general mode of writing this title, substituting (for "Caliph") "Khalif," "Khalífah," &c., I have taken the same liberty. It cannot be correctly written, at the same time congenially with our language and with its orthography in Arabic characters, otherwise than "Khaleefeh" or "Khaleefah;" and of these two modes I adopt the one which agrees with the manner in which the title is most generally pronounced by the Arabs. The meaning of this title is "Successor," or "Vicar;" and it was originally given to the universal sovereigns of the Muslim Arabs, as signifying "Successor of the Prophet;" but afterwards, in a more exalted sense, as "Vicar of God:" the Khaleefeh being the head of the religion as well as the supreme political governor, or at least arrogating to himself the right to possess such supremacy, throughout the whole Muslim world. The last of the Khaleefehs died in Egypt shortly after the Turkish conquest of that country, or in the year of the Flight, 950. After the overthrow of the house of El-'Abbás by Hulágù, certain of its members obtained an asylum at the court of the Memlook Sulṭáns, and continued the line of the Khaleefehs, with spiritual, but no temporal, authority until it ceased in the person of El-Mutawekkil, who delegated his office to the Sulṭán Seleem I.; it is consequently held by the Sulṭán of Turkey. The Emperors of Morocco, being descendants of the Prophet, also claim and receive from their subjects the title of Khaleefeh.[256—Ed.]
Note 28. The stories in which this justly-celebrated man is mentioned will, I think, be more agreeable to those readers who are unacquainted with his history, of which, therefore, I shall say nothing.
Note 29. Mesroor was a black eunuch, and a favourite servant of Er-Rasheed. The name signifies "happy."
Note 30. "Ṭabareeyeh" is the modern name for Tiberias.
Note 31.—Description of Kháns, or Wekálehs. A Khán is a building chiefly designed for the accommodation of merchants, and for the reception of their goods. In Egypt, a building of this kind is generally called a Wekáleh. I have described it, in a former work, as surrounding a square or oblong court, and having, on the ground-floor, vaulted magazines for merchandise, which face the court, and are sometimes used as shops. Above these are generally lodgings, which are entered from a gallery extending along each of the four sides of the court; or, in the place of these lodgings, there are other magazines: and in many kháns or wekálehs which have apartments designed as lodgings, these apartments are used as magazines. In general, the building has only one common entrance; the door of which is closed at night, and kept by a porter.
Note 32. It is customary for a guest or visiter to ask permission of the host, or master of the house, before taking his departure. A common form of speech used on this occasion is, "With your permission, I rise."
Note 33. Many Muslims perform the pilgrimage with the view of expiating their offences, and, at the Kaạbeh, or at the tomb of the Prophet, make a vow to abstain from any glaring infringement of the law of which they may before have been guilty.
Note 34. I learn, from a marginal note in my copy of the original, by the sheykh Moḥammad Eṭ-Tanṭáwee, that these verses are the composition of Ibn-Sahl El-Ishbee-lee. Three concluding verses of the same ode, and a second poetical quotation immediately following, I have passed over.
Note 35. In the original there are some errors in this part of the story, which the sequel requires me to correct. The cateress is described as having sung three successive songs, accompanying them with her lute. After the first song, the mistress of the house is said to have been affected in the manner described in the translation, and to have exposed to view the marks of beating. The second lady (namely, the portress) is represented as similarly excited by the second song; and the third lady (the cateress herself), by the third song. The last also is said to have exhibited upon her person those marks which, as the sequel shews, were borne by the second.
Note 36. The "miḳra'ah," vulgarly called "maḳra'ah," is a portion of the thicker end of a palm-branch stripped of the leaves. It is often used to beat a person in sport; but in this case, two or three splits are usually made in the thicker part of it, to increase the sound of the blows.
Note 37. In the original, "the portress." See Note 35, above.
Note 38. Perhaps it is needless to explain that the wish here expressed, for a protractive trial on the day of judgment, is occasioned by the longing for reunion, and the fear of separation after that day. The Muslims usually pray for an easy (and, consequently, a short) reckoning.
Note 39. I have omitted the third song of the cateress, and the description of its effects, mentioned in Note 35.
Note 40. See Note 47 to Chapter II.
Note 41. It seems to be implied that the lady discovered her guests, notwithstanding their disguise, to be persons of rank.
Note 42. I read "fuḳaráü aạjám" for "fuḳaráü-l-hojjám:" the former, carelessly written (in Arabic characters), might easily be mistaken for the latter.
Note 43. This phrase is used to signify "Recover thy senses;" alluding to a person's drawing his hand over his head or face after a sleep or fit.
Note 44. The burial-grounds of Eastern cities are generally so extensive, that, with the varied structures which they contain, they may aptly be called "Cities of the Dead." It was with difficulty that I recognised the tomb of the lamented Burckhardt, in the great cemetery on the north of Cairo, even after I had carefully noticed its place on a former visit.
Note 45. I have ventured to make a slight alteration here; but it is one which does not in the least affect the consistency of the tale. Marriage with a foster-sister is as expressly forbidden by the Mohammadan law as that with a natural sister.
Note 46. "The Truth" is one of the ninety-nine names or epithets of God.
Note 47. Many an Arab would rather risk the loss of his head than part with his beard; for the latter is regarded by almost all Muslims with a superstitious respect; and to shave it off, at least after it has been suffered to grow for many days, they consider as sinful: this, however, is sometimes done by religious mendicants, as it is also by some of those persons who seek, or enjoy, the reputation of sanctity, and who are, or pretend to be, insane.
Note 48. By "the seven readings," we are to understand seven slightly different modes of reading the Ḳur-án, seldom differing essentially as to the sense.
Note 49. Astrology (not astronomy) is here meant. Though a forbidden science, it is studied by many Muslims.
Note 50. A misplaced diacritical point occasions a wrong reading here, in the original, which I have corrected.
Note 51. The Mohammadan law requires that every man be acquainted with some art or occupation by which he may, in case of necessity, at least be able to obtain the means of supporting himself and such of his family as are dependant upon him, and of fulfilling all his religious as well as moral duties. Hence it has been a common custom of Muslim princes, in every age, to learn some useful art; and many of them have distinguished themselves by displaying exquisite skill in the work of their hands, and especially in caligraphy, of which the Orientals in general are great admirers.
Note 52. The 'Efreet (as we are told in some editions of the original) had taken this lady against the consent of his family, and therefore could not more frequently visit her.
Note 53. The term "ḳubbeh" is often applied to a closet or small chamber adjoining a saloon; and in this sense it appears to be here used.
Note 54.—On Sherbets. The Arabs have various kinds of sherbets, or sweet drinks; the most common of which is merely sugar and water, made very sweet. The most esteemed kind is prepared from a hard conserve of violets, made by pounding violet-flowers, and then boiling them with sugar. Other kinds are prepared from conserves of fruits, &c. The sherbet is served in covered glass cups, containing from two-thirds to three-quarters of an English pint; the same which I have described in a former note as used for wine. These are placed on a round tray, and covered with a round piece of embroidered silk, or cloth of gold; and on the right arm of the person who presents the sherbet, is hung a long napkin with a deep embroidered border of gold and coloured silks at each end, which is ostensibly offered for the purpose of wiping the lips after drinking, though the lips are scarcely touched with it.
Note 55. The Arabs are very fond of having their feet, and especially the soles, slowly rubbed with the hand; and this operation, which is one of the services commonly required of a wife or female slave, is a usual mode of waking a person.
Note 56. Here, and again in the same and a subsequent sentence, for "kheiyáṭeen," I read "ḥaṭṭábeen." In the Breslau edition, "khaṭṭábeen" is put for the latter. The right reading is obvious.
Note 57. Falsehood was commended by the Prophet when it tended to reconcile persons at enmity with each other, and when practised in order to please one's wife, or to obtain any advantage in a war with infidels, though strongly reprobated in other cases.
Note 58. Four verses here inserted in the original appear to me to be a corruption of a couplet which better expresses the same meaning, and which I have therefore translated in the place of the former. As the lines to which I allude are particularly pleasing, I may perhaps be excused if I here introduce the original words, which are as follow:—
"Isháratunà fi-l-ḥobbi remzu 'oyooninà: wa-kullu lebeebin bi-l-ishárati yefhamu,
Ḥawájibunà teḳḍi-l-ḥawáïjà beynenà: fa-naḥnu sukootun wa-l-hawà yetekellemu."
Note 59. This is not meant to disparage the individual lady here mentioned, but is a saying of the Prophet applied to the sex in general.
Note 60. In the edition of Cairo, this story is omitted. I translate it from the Calcutta edition of the first two hundred nights.
Note 61. "Faḳeer" (which signifies "poor," and is particularly used in the sense of "poor in the sight of God," or rather, "in need of the mercy of God") is an appellation commonly given to poor persons who especially occupy themselves in religious exercises.
Note 62. The performances called "zikrs" will be briefly described towards the close of the next note.
Note 63.—On Muslin Saints, or Devotees. The tale of the Envied Sheykh, and several other stories in this work, require that the reader should be acquainted with the remarkable opinions which the Arabs entertain with respect to the offices and supernatural powers of their saints. Such matters form an important part of the mysteries of the Darweeshes, and are but imperfectly known to the generality of Muslims.
The distinguished individuals above mentioned are known by the common appellation of "Welees," or particular favourites of God. The more eminent among them compose a mysterious hierarchical body, whose government respects the whole human race, infidels as well as believers; but whose power is often exercised in such a manner that the subjects influenced by it know not from what person or persons its effects proceed. The general governor or coryphæus of these holy beings is commonly called the "Ḳuṭb," which literally signifies a "pole," or an "axis," and is metaphorically used to signify a "chief," either in a civil or political, or in a spiritual sense. The Ḳuṭb of the saints is distinguished by other appellations: he is called "Ḳuṭb el-Ghós," or "—— el-Ghóth" ("the Ḳuṭb of Invocation for Help"), &c.; and simply "El-Ghós."257 The orders under the rule of this chief are called "'Omud (or Owtád), Akhyár, Abdál, Nujabà, and Nuḳabà: I name them according to their precedence.258 Perhaps to these should be added an inferior order called "Aṣ-ḥáb ed-Darak," which is said to mean "Watchmen," or "Overseers." The members are not known as such to their inferior, unenlightened fellow-creatures; and are often invisible to them. This is more frequently the case with the Ḳuṭb, who, though generally stationed at Mekkeh, on the roof of the Kaạbeh, is never visible there, nor at any of his other favourite stations or places of resort; yet his voice is often heard at these places. Whenever he and the saints under his authority mingle among ordinary men, they are not distinguished by a dignified appearance, but are always humbly clad. These, and even inferior saints, are said to perform astonishing miracles, such as flying in the air, passing unhurt through fire, swallowing fire, glass, &c., walking upon water, transporting themselves in a moment of time to immense distances, and supplying themselves and others with food in desert places. Their supernatural power they are supposed to obtain by a life of the most exalted piety, and especially by constant self-denial, accompanied with the most implicit reliance upon God; by the services of good genii; and, as many believe, by the knowledge and utterance of "the most great name" of God. A miracle performed by a saint is distinguished by the term "karámeh" from one performed by a prophet, which is called "moạjizeh."
El-Khiḍr and Ilyás (or Elias), of whom I have before had occasion to speak, are both believed to have been Ḳuṭbs, and the latter is called in the Ḳur-án an apostle; but it is disputed whether the former was a prophet or merely a welee. Both are said to have drunk of the Fountain of Life, and to be in consequence still living; and Ilyás is commonly believed to invest the successive Ḳuṭbs. The similarity of the miracles ascribed to the Ḳuṭbs and those performed by Elias or Elijah I have remarked in a former work. Another miracle, reminding us of the mantle of Elijah in the hands of his successor, may here be mentioned.—A saint who was the Ḳuṭb of his time, dying at Toonis (or Tunis), left his clothes in trust to his attendant, Moḥammad El-Ashwam, a native of the neighbouring regency of Tripoli (now called Ṭarábulus), who desired to sell these relics, but was counselled to retain them, and accordingly, though high prices were bidden for them, made them his own by purchase. As soon as they became his property, he was affected, we are told, with a divine ecstasy, and endowed with miraculous powers.259
Innumerable miracles are related to have been performed by Muslim saints, and large volumes are filled with the histories of their wonderful lives. The author of the work from which the above story is taken, mentions, as a fact to be relied on, in an account of one of his ancestors, that, his lamp happening to go out one night while he was reading alone in the riwáḳ of the Jabart (of which he was the sheykh), in the great mosque El-Azhar, the forefinger of his right hand emitted a light which enabled him to continue his reading until his naḳeeb had trimmed and lighted another lamp.260
From many stories of a similar kind that I have read, I select the following as a fair specimen: it is related by a very celebrated saint, Ibráheem El-Khowwáṣ.—"I entered the desert [on pilgrimage to Mekkeh from El-'Eráḳ], and there joined me a man having a belt round his waist, and I said, 'Who art thou?'—He answered, 'A Christian; and I desire thy company.' We walked together for seven days, eating nothing; after which he said to me, 'O monk of the Muslims, produce what thou hast in the way of refreshment; for we are hungry:' so I said, 'O my God, disgrace me not before this infidel:' and lo, a tray, upon which were bread and broiled meat and fresh dates and a mug of water. We ate, and continued our journey seven days more; and I then said to him, 'O monk of the Christians, produce what thou hast in the way of refreshment; for the turn is come to thee:' whereupon he leaned upon his staff; and prayed; and lo, two trays, containing double that which was on my tray. I was confounded, and refused to eat: he urged me, saying, 'Eat;' but I did it not. Then said he, 'Be glad; for I give thee two pieces of good news: one of them is, that I testify that there is no deity but God, and that Moḥammad is God's Apostle: the other, that I said, O God, if there be worth in this servant, supply me with two trays:—so this is through thy blessing.' We ate, and the man put on the dress of pilgrimage, and so entered Mekkeh, where he remained with me a year as a student; after which he died, and I buried him in [the cemetery] El-Maạlà." "And God," says the author from whom I take this story, "is all-knowing:" i.e. He alone knoweth whether it be strictly true: but this is often added to the narration of traditions resting upon high authority.261—The saint above mentioned was called "El-Khowwáṣ" (or the maker of palm-leaf baskets, &c.) from the following circumstance, related by himself.—"I used," said he, "to go out of the town [Er-Rei] and sit by a river on the banks of which was abundance of palm-leaves; and it occurred to my mind to make every day five baskets [ḳuffehs], and to throw them into the river, for my amusement, as if I were obliged to do so. My time was so passed for many days: at length, one day, I thought I would walk after the baskets, and see whither they had gone: so I proceeded a while along the bank of the river, and found an old woman sitting sorrowful. On that day I had made nothing. I said to her, 'Wherefore do I see thee sorrowful?' She answered, 'I am a widow: my husband died leaving five daughters, and nothing to maintain them; and it is my custom to repair every day to this river, and there come to me, upon the surface of the water, five baskets, which I sell, and by means of them I procure food; but to-day they have not come, and I know not what to do.' Upon hearing this, I raised my head towards heaven, and said, 'O my God, had I known that I had more than five children to maintain, I had laboured more diligently!'" He then took the old woman to his house, and gave her money and flour, and said to her, "Whenever thou wantest anything, come hither and take what may suffice you."262
An irresistible influence has often been exercised over the minds of princes and other great men by reputed saints. Many a Muslim Monarch has thus been incited (as the Kings of Christendom were by Peter the Hermit) to undertake religious wars, or urged to acts of piety and charity; or restrained from tyranny by threats of Divine vengeance to be called down upon his head by the imprecations of a welee. 'Alee, the favourite son of the Khaleefeh El-Ma-moon, was induced, for the sake of religion, to flee from the splendour and luxuries of his father's court, and, after the example of a self-denying devotee, to follow the occupation of a porter, in a state of the most abject poverty, at El-Baṣrah, fasting all the day, remaining without sleep at night in a mosque, and walking barefooted, until, under an accumulation of severe sufferings, he prematurely ended his days, dying on a mat. The honours which he refused to receive in life were paid to him after his death: his rank being discovered by a ring and paper which he left, his corpse was anointed with camphor and musk and aloes, wrapped in fine linen of Egypt, and so conveyed to his distressed father at Baghdád.263
Self-denial I have before mentioned as one of the most important means by which to attain the dignity of a welee. A very famous saint, Esh-Shiblee, is said to have received from his father an inheritance of sixty millions of deenárs (a sum incredible, and probably a mistake for sixty thousand, or for sixty million dirhems), besides landed property, and to have expended it all in charity: also, to have thrown into the Tigris seventy hundred-weight of books, written by his own hand during a period of twenty years.264
Sháh El-Karmánee, another celebrated saint, had a beautiful daughter, whom the Sulṭán of his country sought in marriage. The holy man required three days to consider his sovereign's proposal, and in the mean time visited several mosques, in one of which he saw a young man humbly occupied in prayer. Having waited till he had finished, he accosted him, saying, "My son, hast thou a wife?" Being answered, "No," he said, "I have a maiden, a virtuous devotee, who hath learned the whole of the Ḳur-án, and is amply endowed with beauty. Dost thou desire her?"—"Who," said the young man, "will marry me to such a one as thou hast described, when I possess no more than three dirhems?"—"I will marry thee to her," answered the saint: "she is my daughter, and I am Sháh the son of Shujáạ El-Karmánee: give me the dirhems that thou hast, that I may buy a dirhem's worth of bread, and a dirhem's worth of something savoury, and a dirhem's worth of perfume." The marriage-contract was performed; but when the bride came to the young man, she saw a stale cake of bread placed upon the top of his mug; upon which she put on her izár, and went out. Her husband said, "Now I perceive that the daughter of Sháh El-Karmánee is displeased with my poverty." She answered, "I did not withdraw from fear of poverty, but on account of the weakness of thy faith, seeing how thou layest by a cake of bread for the morrow."265
One of my friends in Cairo, Abu-l-Ḳásim of Geelán, mentioned in a former note, entertained me with a long relation of the mortifications and other means which he employed to attain the rank of a welee. These were chiefly self-denial and a perfect reliance upon Providence. He left his home in a state of voluntary destitution and complete nudity, to travel through Persia and the surrounding countries, and yet more distant regions if necessary, in search of a spiritual guide. For many days he avoided the habitations of men, fasting from daybreak till sunset, and then eating nothing but a little grass or a few leaves or wild fruits, till by degrees he habituated himself to almost total abstinence from every kind of nourishment. His feet, at first blistered, and cut by sharp stones, soon became callous; and in proportion to his reduction of food, his frame, contrary to the common course of nature, became (according to his own account) more stout and lusty. Bronzed by the sun, and with his black hair hanging over his shoulders (for he had abjured the use of the razor), he presented, in his nudity, a wild and frightful appearance; and on his first approaching a town, was surrounded and pelted by a crowd of boys; he therefore retreated, and, after the example of our first parents, made himself a partial covering of leaves; and this he always after did on similar occasions; never remaining long enough in a town for his leafy apron to wither. The abodes of mankind he always passed at a distance, excepting when several days' fast, while traversing an arid desert, compelled him to obtain a morsel of bread or a cup of water from the hand of some charitable fellow-creature. One thing that he particularly dreaded was, to receive relief from a sinful man, or from a demon in the human form. In passing over a parched and desolate tract, where for three days he had found nothing to eat, not even a blade of grass, nor a spring from which to refresh his tongue, he became overpowered with thirst, and prayed that God would send him a messenger with a pitcher of water. "But," said he, "let the water be in a green Baghdáhee pitcher, that I may know it be from Thee, and not from the Devil; and when I ask the bearer to give me to drink, let him pour it over my head, that I may not too much gratify my carnal desire."—"I looked behind me," he continued, "and saw a man bearing a green Baghdáhee pitcher of water, and said to him, 'Give me to drink;' and he came up to me, and poured the contents over my head, and departed! By Allah it was so!"—Rejoicing in this miracle, as a proof of his having attained to a degree of wiláyeh (or saintship), and refreshed by the water, he continued his way over the desert, more firm than ever in his course of self-denial, which, though imperfectly followed, had been the means of his being thus distinguished. But the burning thirst returned shortly after, and he felt himself at the point of sinking under it, when he beheld before him a high hill, with a rivulet running by its base. To the summit of this hill he determined to ascend, by way of mortification, before he would taste the water, and this point, with much difficulty, he reached at the close of the day. Here standing, he saw approaching, below, a troop of horsemen, who paused at the foot of the hill, when their chief, who was foremost, called out to him by name, "O Abu-l-Ḳásim! O Geelánee! Come down and drink!"—but, persuaded by this that he was Iblees with a troop of his sons, the evil Genii, he withstood the temptation, and remained stationary until the deceiver with his attendants had passed on, and were out of sight. The sun had then set; his thirst had somewhat abated; and he only drank a few drops. Continuing his wanderings in the desert, he found, upon a pebbly plain, an old man with a long white beard, who accosted him, asking of what he was in search. "I am seeking," he answered, "a spiritual guide; and my heart tells me that thou art the guide I seek." "My son," said the old man, "thou seest yonder a saint's tomb: it is a place where prayer is answered: go thither, enter it, and seat thyself: neither eat nor drink nor sleep; but occupy thyself solely, day and night, in repeating silently, 'Lá iláha illa-lláh' (There is no deity but God); and let not any living creature see thy lips move in doing so; for among the peculiar virtues of these words is this, that they may be uttered without any motion of the lips. Go, and peace be on thee."—"Accordingly," said my friend, "I went thither. It was a small square building, crowned by a cupola; and the door was open. I entered, and seated myself, facing the niche, and the oblong monument over the grave. It was evening, and I commenced my silent professions of the Unity, as directed by my guide; and at dusk I saw a white figure seated beside me, as if assisting in my devotional task. I stretched forth my hand to touch it; but found that it was not a material substance; yet there it was: I saw it distinctly. Encouraged by this vision, I continued my task for three nights and days without intermission, neither eating not drinking, yet increasing in strength both of body and of spirit; and on the third day, I saw written upon the whitewashed walls of the tomb, and on the ground, and in the air, wherever I turned my eyes, 'Lá iláha illa-lláh;' and whenever a fly entered the tomb, it formed these words in its flight. By Allah it was so! My object was now fully attained: I felt myself endowed with supernatural knowledge: thoughts of my friends and acquaintances troubled me not; but I knew where each of them was, in Persia, India, Arabia, and Turkey, and what each was doing. I experienced an indescribable happiness. This state lasted several years; but at length I was insensibly enticed back to worldly objects: I came to this country; my fame as a caligraphist drew me into the service of the government; and now see what I am, decked with pelisses and shawls, and with this thing [a diamond order] on my breast; too old, I fear, to undergo again the self-denial necessary to restore me to true happiness, though I have almost resolved to make the attempt."—Soon after this conversation, he was deprived of his office, and died of the plague. He was well known to have passed several years as a wandering devotee; and his sufferings, combined with enthusiasm, perhaps disordered his imagination, and made him believe that he really saw the strange sights which he described to me; for there was an appearance of earnestness and sincerity in his manner, such as I thought could hardly be assumed by a conscious impostor.
Insanity, however, if not of a very violent and dangerous nature, is commonly regarded by Muslims as a quality that entitles the subject of it to be esteemed as a saint; being supposed to be the abstraction of the mind from worldly affairs, and its total devotion to God. This popular superstition is a fertile source of imposture; for, a reputation for sanctity being so easily obtained and supported, there are numbers of persons who lay claim to it from motives of indolence and licentiousness, eager to receive alms merely for performing the tricks of madmen, and greedy of indulging in pleasures forbidden by the law; such indulgences not being considered in their case as transgressions by the common people, but rather as indications of holy frenzy. From my own observation I should say that lunatics or idiots, or impostors, constitute the majority of the persons reputed to be saints among the Muslims of the present day; and most of those who are not more than slightly tinged with insanity are darweeshes.
A reputed saint of this description, in Cairo, in whom persons of some education put great faith, affected to have a particular regard for me. He several times accosted me in an abrupt manner, acquainted me with the state of my family in England, and uttered incoherent predictions respecting me, all of which communications, excepting one which he qualified with an "in sháa-lláh" (or "if it be the will of God"), I must confess, proved to be true; but I must also state that he was acquainted with two of my friends who might have materially assisted him to frame these predictions, though they protested to me that they had not done so. The following extract from a journal which I kept in Cairo during my second visit to Egypt, will convey some idea of this person, who will serve as a picture of many of his fraternity.—To-day (Nov. 6th, 1834), as I was sitting in the shop of the Báshà's booksellers, a reputed saint, whom I have often seen here, came and seated himself by me, and began, in a series of abrupt sentences, to relate to me various matters respecting me, past, present, and to come. He is called the sheykh 'Alee El-Leysee. He is a poor man, supported by alms; tall and thin and very dark, about thirty years of age, and wears nothing at present but a blue shirt and a girdle, and a padded red cap. "O Efendee," he said, "thou hast been very anxious for some days. There is a grain of anxiety remaining in thee yet. Do not fear. There is a letter coming to thee by sea, that will bring thee good news." He then proceeded to tell me of the state of my family, and that all were well excepting one, whom he particularized by description, and who he stated to be then suffering from an intermittent fever. [This proved to be exactly true.] "This affliction," he continued, "may be removed by prayer; and the excellences of the next night, the night of [i. e. preceding] the first Friday of the month of Regeb, of Regeb, the holy Regeb, are very great. I wanted to ask thee for something to-day; but I feared: I feared greatly. Thou must be invested with the wiláyeh [i. e. be made a welee]: the welees love thee; and the Prophet loves thee. Thou must go to the sheykh Muṣṭafà El-Munádee, and the sheykh El-Baháee.266 Thou must be a welee." He then took my right hand, in the manner commonly practised in the ceremony which admits a person a darweesh, and repeated the Fáteḥah (commonly pronounced Fát'ḥah);267 after which he added, "I have admitted thee my darweesh." Having next told me of several circumstances relating to my family—matters of an unusual nature—with singular minuteness and truth, he added, "To-night, if it be the will of God, thou shalt see the Prophet in thy sleep, and El-Khiḍr and the seyyid El-Bedawee. This is Regeb, and I wanted to ask of thee—but I feared—I wanted to ask of thee four piastres, to buy meat and bread and oil and radishes. Regeb! Regeb! I have great offices to do for thee to-night."—Less than a shilling for all he promised was little enough: I gave it him for the trouble he had taken; and he uttered many abrupt prayers for me.—In the following night, however, I saw in my sleep neither Moḥammad nor El-Khiḍr nor the seyyid El-Bedawee, unless, like Nebuchadnezzar, I was unable, on awaking, to remember my dreams.
Some reputed saints of the more respectable class, to avoid public notice, wear the general dress and manners of their fellow-countrymen, and betray no love of ostentation in their acts of piety and self-denial; or live as hermits in desert places, depending solely upon Providence for their support, and are objects of pious and charitable visits from the inhabitants of near and distant places, and from casual travellers. Others distinguish themselves by the habit of a darweesh, or by other peculiarities, such as a long and loose coat (called dilḳ) composed of patches of cloth of various colours, long strings of beads hung upon the neck, a ragged turban, and a staff with shreds of cloth of different colours attached to the top; or obtain a reputation for miraculous powers by eating glass, fire, serpents, &c. Some of those who are insane, and of those who feign to be so, go about, even in crowded cities, in a state of perfect nudity, and are allowed to commit, with impunity, acts of brutal sensuality which the law, when appealed to, should punish with death. Such practices are forbidden by the religion and law even in the cases of saints; but common and deeply-rooted superstition prevents their punishment. During the occupation of Egypt by the French, the Commander-in-chief, Menou, applied to the Sheykhs (or 'Ulamà) of the city for their opinion "respecting those persons who were accustomed to go about in the streets in a state of nudity, crying out and screaming, and arrogating to themselves the dignity of wiláyeh, relied upon as saints by the generality of the people, neither performing the prayers of the Muslims nor fasting," asking whether such conduct was permitted by the religion, or contrary to the law. He was answered, "Conduct of this description is forbidden, and repugnant to our religion and law and to our traditions." The French General thanked them for this answer, and gave orders to prevent such practices in future, and to seize every one seen thus offending; if insane, to confine him in the Máristán (or hospital and lunatic asylum); and if not insane, to compel him either to relinquish his disgusting habits, or to leave the city.268—Of reputed saints of this kind, thus writes an enlightened poet, El-Bedree El-Ḥejázee:—
"Would that I had not lived to see every fool esteemed among men as a Ḳuṭb!
Their learned men take him as a patron; nay, even as Lord, in place of the Possessor of Heaven's throne.
Forgetting God, they say, 'Such a one from all mankind can remove affliction.'
When he dies, they make for him a place of visitation, and strangers and Arabs hurry thither in crowds:
Some of them kiss his tomb, and some kiss the threshold of the door, and the very dust.
Thus do the idolaters act towards their images, hoping so to obtain their favour."
These lines are quoted by El-Jabartee, in his account of a very celebrated modern saint, the seyyid 'Alee El-Bekree (events of Rabeeạ eth-Thánee, 1214). A brief history of this person will not be here misplaced, as it will present a good illustration of the general character and actions of those insane individuals who are commonly regarded as saints.
The seyyid 'Alee El-Bekree was a mejzoob (or insane person) who was considered an eminent welee, and much trusted in: for several years he used to walk naked about the streets of Cairo, with a shaven face, bearing a long nebboot (or staff), and uttering confused language, which the people attentively listened to, and interpreted according to their desires and the exigencies of their states. He was a tall, spare man, and sometimes wore a shirt and a cotton skull-cap; but he was generally barefooted and naked. The respect with which he was treated induced a woman, who was called the sheykhah Ammooneh, to imitate his example further than decency allowed: she followed him whithersoever he went, covered at first with her izár (or large cotton veil thrown over the head and body), and muttering, like him, confused language. Entering private houses with him, she used to ascend to the ḥareems, and gained the faith of the women, who presented her with money and clothes, and spread abroad that the sheykh ('Alee) had looked upon her, and affected her with religious frenzy, so that she had become a weleeyeh, or female saint. Afterwards, becoming more insane and intoxicated, she uncovered her face, and put on the clothing of a man; and thus attired she still accompanied the sheykh, and the two wandered about, followed by numbers of children and common vagabonds; some of whom also stripped off their clothes in imitation of the sheykh, and followed, dancing; their mad actions being attributed (like those of the woman) to religious frenzy, induced by his look or touch, which converted them into saints. The vulgar and young, who daily followed them, consequently increased in numbers; and some of them, in passing through the market-streets, snatched away goods from the shops, thus exciting great commotion wherever they went. When the sheykh sat down in any place, the crowd stopped, and the people pressed to see him and his mad companions. On these occasions the woman used to mount upon the maṣṭabah of a shop, or ascend a hillock, and utter disgusting language, sometimes in Arabic, and sometimes in Turkish, while many persons among her audience would kiss her hands to derive a blessing. After having persevered for some time in this course, none preventing them, the party entered one day the lane leading from the principal street of the city to the house of the Ḳáḍee, and were seized by a Turkish officer there residing, named Jaạfar Káshif, who, having brought them into his house, gave the sheykh some food, and drove out the spectators, retaining the woman and the mejzoobs, whom he placed in confinement: he then liberated the sheykh 'Alee, brought out the woman and the mejzoobs and beat them, sent the woman to the Máristán, and there confined her, and set at large the rest, after they had prayed for mercy, and clothed themselves, and recovered from their intoxication. The woman remained a while confined in the Máristán, and, when liberated, lived alone as a sheykhah, believed in by men and women, and honoured as a saint with visits and festivals.
The seyyid 'Alee, after he had thus been deprived of his companions and imitators, was constrained to lead a different kind of life. He had a cunning brother, who, to turn the folly of this saint to a good account, and fill his own purse (seeing how great faith the people placed in him, as the Egyptians are prone to do in such a case), confined him in his house, and clothed him, asserting that he had his permission to do so, and that he had been invested with the dignity of Ḳuṭb. Thus he contrived to attract crowds of persons, men and women, to visit him. He forbade him to shave his beard, which consequently grew to its full size; and his body became fat and stout from abundance of food and rest; for, while he went about naked, he was, as before mentioned, of a lean figure. During that period he used generally to pass the night wandering, without food, through the streets, in winter and summer. Having now servants to wait upon him, whether sleeping or waking, he passed his time in idleness, uttering confused and incoherent words, and sometimes laughing and sometimes scolding; and in the course of his idle loquacity he could not but let fall some words applicable to the affairs of some of his listening visiters, who attributed such expressions to his supernatural knowledge of the thoughts of their hearts, and interpreted them as warnings or prophecies. Men and women, and particularly the wives of the grandees, flocked to him with presents and votive offerings, which enriched the coffers of his brother; and the honours which he received ceased not with his death. His funeral was attended by multitudes from every quarter. His brother buried him in the mosque of Esh-Sharáïbee, in the quarter of the Ezbekeeyeh, made for him a maḳṣoorah (or railed enclosure) and an oblong monument over the grave, and frequently repaired thither with readers of the Ḳur-án, munshids269 to sing odes in his honour, flag-bearers, and other persons, who wailed and screamed, rubbed their faces against the bars of the window before his grave, and caught the air of the place in their hands to thrust it into their bosoms and pockets. Men and women came crowding together to visit his tomb, bringing votive offerings and wax candles, and eatables of various kinds to distribute for his sake to the poor.270—The oblong monument over his grave, resembling a large chest, was covered, when I was in Cairo, with a black stuff ornamented by a line of words from the Ḳur-án, in white characters, surrounding it. A servant who accompanied me during my rides and walks used often to stop as we passed this tomb, and touch the wooden bars of the window above mentioned with his right hand, which he then kissed to obtain a blessing.
In most cases greater honour is paid to a reputed saint after his death than he receives in his life. A small, square, whitewashed building, crowned with a dome, is generally erected as his tomb, surrounding an oblong monument of stone, brick, or wood, which is immediately over the sepulchral vault. At least one such building forms a conspicuous object close by, or within, almost every Arab village; for the different villages, and different quarters of every town and city, have their respective patron saints, whose tombs are frequently visited, and are the scenes of periodical festivals, generally celebrated once in every year. The tombs of many very eminent saints are mosques; and some of these are large and handsome edifices, the monument being under a large and lofty dome, and surrounded by an enclosure of wooden railings, or of elegantly-worked bronze. In these buildings also, and in some others, the monument is covered with silk or cotton stuff ornamented with words from the Ḳur-án, which form a band around it. Many buildings of the more simple kind erected in honour of saints, and some of the larger description, are mere cenotaphs, or cover only some relic of the person to whom they are dedicated. The tombs and cenotaphs or shrines of saints are visited by numerous persons, and on frequent occasions; most commonly on a particular day of the week. The object of the visiter, in general, is to perform some meritorious act, such as taking bread, or other food, or money, for the poor, or distributing water to the thirsty, on account of the saint, to increase his rewards in heaven, and at the same time to draw down a blessing on himself; or to perform a sacrifice of a sheep, goat, calf, or other animal, which he has vowed to offer, if blessed with some specific object of desire, or to obtain general blessings; or to implore the saint's intercession in some case of need. The flesh of the devoted animal is given to the poor. The visiters also often take with them palm-branches, or sprigs of myrtle, or roses or other flowers, to lay upon the monument, as they do when they visit the tombs of their relations. The visiter walks round the monument, or its enclosure, from left to right, or with his left side towards it (as the pilgrims do round the Kaạbeh), sometimes pausing to touch its four angles or corners with his right hand, which he then kisses; and recites the opening chapter of the Ḳur-án (the Fát'ḥah) standing before one or each of its four sides. Some visiters repeat also the chapter of Yá-Seen (the 36th), or employ a person to recite this, or even the whole of the Ḳur-án, for hire.
The reciter afterwards declares that he transfers the merit of this work to the soul of the deceased saint. Any private petition the visiter offers up on his own account, imploring a favourable answer for the sake of the saint, or through his intercession; holding his hands before his face like an open book, and then drawing them down his face. Many a visiter, on entering the tomb, kisses the threshold, or touches it with his right hand, which he then kisses; and, on passing by it, persons often touch the window, and kiss the hand thus honoured.
The great periodical or annual festivals are observed with additional ceremonies, and by crowds of visiters. These are called Moolids (more properly Mólids); and are held on the anniversary of the birth of the saint, or in commemoration of that event. Persons are then hired to recite the Ḳur-án in and near the tomb, during the day; and others, chiefly darweeshes, employ themselves during the night in performing zikrs, which consist in repeating the name of God, or the profession of his unity, &c., in chorus, accompanying the words by certain motions of the head, hands, or whole body; munshids, at intervals, singing religious odes or love songs during these performances, to the accompaniment of a náy, which is a kind of flute, or the arghool, which is a double reed-pipe. These moolids are scenes of rejoicing and of traffic, which men and boys and girls attend, to eat sweatmeats, and drink coffee and sherbets, or to amuse themselves with swinging, or turning on a whirligig, or witnessing the feats of conjurers, or the performances of dancers; and to which tradesmen repair to sell or barter their goods. The visiters to the great moolids of the seyyid Aḥmad El-Bedawee, at Ṭanṭà, in the Delta of Egypt, which are great fairs as well as religious festivals, are almost as numerous as the pilgrims at Mekkeh. During a moolid, the inhabitants of the houses in the neighbourhood of the tomb hang lamps before their houses, and spend a great part of the night listening to the story-tellers at the coffee-shops, or attending the zikrs.
These latter performances, though so common among the Arabs, are inconsistent with the spirit of the Mohammadan religion, and especially with respect to music, which was not employed in religious ceremonies until after the second century of the Flight. The Imám Aboo-Bekr Eṭ-Ṭoosee, being asked whether it were lawful or not to be present with people who assembled in a certain place, and read a portion of the Ḳur-án; and, after a munshid had recited some poetry, would dance, and become excited, and play upon tambourines and pipes,—answered, that such practices were vain, ignorant, and erroneous; not ordained by the Ḳur-án or the Traditions of the Prophet, but invented by those Israelites who worshipped the Golden Calf; that the Prophet and his companions used to sit so quietly that a bird might alight upon the head of any one of them and not be disturbed; that it was incumbent on the Sultán and his vicegerents to prevent such persons from entering the mosques and other places for these purposes; and that no one who believed in God and the Last Day should be present with them, or assist them in their vain performances: such, he asserted, was the opinion of the Imáms of the Muslims.271 Some eminent doctors, however, have contended for the lawfulness of these practices.272
Of the various orders of darweeshes, to which so many of the reputed saints belong, it is unnecessary here to say more than that they differ chiefly in unimportant regulations and rites, such as particular forms of prayer, and modes of zikr; that some distinguish themselves by peculiar dresses; and that a few pursue a wandering life, and subsist on alms.
Note 64. The reason of this strange proceeding is not stated in the Cairo edition, but it is in the two other editions which I have before me.
Note 65. Arab etiquette requires that a person should sit upon his knees and feet in the presence of one of much higher rank, or of one to whom he would pay especial honour. He should also, in these cases, cover his hands with his sleeves.
Note 66. Kunáfeh is a kind of pastry resembling vermicelli, made of wheat-flour. It is moistened with clarified butter—then baked, and sweetened with honey or sugar.
Note 67. Chess is played somewhat differently in different parts of the East. The pieces are generally of very simple forms, as the Muslim is forbidden by his religion to make an image of anything that has life.
Note 68. In my original, and in the Breslau edition, the ape is said to have been the son of the King of the Ebony Islands; but this is a mistake; for the latter, as before stated, was the father of the lady who was carried off by Jarjarees.
Note 69. The term "leewán" has been explained in No. 12 of the notes to this chapter.
Note 70. This was, and I believe still is, a common battle-cry of the Arabs, and more commonly used on the occasion of a victory.
Note 71. "Dár es-Selám," "the Abode of Peace," or "of Safety," is a name often given to Baghdád, as it is also to one of the seven stories or stages of Paradise.
Note 72.—The Mountain of Loadstone. Several Arab writers describe this mountain of loadstone. El Ḳazweenee, in his account of minerals, says that the mine of loadstone is on the shore of the Indian Ocean, and that if the ships which navigate this sea approach the said mine, and contain anything of iron, it flies from them like a bird, and adheres to the mountain; for which reason, it is the general custom to make use of no iron in the construction of the vessels employed in this navigation.273 I think that I have met with a similar story in some Latin author.
Note 73. For an explanation of this term, see what I have said on the subject of prayer in the first of the notes to the Introduction.
Note 74. "Khaṣeeb" signifies "endowed with plenty."
Note 75. The remainder of the story of the Third Royal Mendicant is almost wholly omitted in the Cairo edition. I translate it chiefly from the Calcutta edition of the first two hundred nights.
Note 76.—On Dreams. That Dreams are regarded by the Muslims as being often true warnings or indications of future events I have mentioned in a former note. This belief, sanctioned by the Prophet, will be well illustrated by the following anecdote, which was related to me in Cairo, shortly after the terrible plague of the year 1835, by the sheykh Moḥammad Eṭ-Ṭanṭáwee, who had taken the trouble of investigating the fact, and had ascertained its truth.
A tradesman, living in the quarter of El-Ḥanafee, in Cairo, dreamt, during the plague above mentioned, that eleven persons were carried out from his house to be buried, victims of this disease. He awoke in a state of the greatest distress and alarm, reflecting that eleven was the total number of the inhabitants of his house, including himself, and that it would be vain in him to attempt, by adding one or more members to his household, to elude the decree of God, and give himself a chance of escape: so, calling together his neighbours, he informed them of his dream, and was counselled to submit with resignation to a fate so plainly foreshewn, and to be thankful to God for the timely notice with which he had been mercifully favoured. On the following day, one of his children died; a day or two after, a wife; and the pestilence continued its ravages among his family until he remained in his house alone. It was impossible for him now to entertain the slightest doubt of the entire accomplishment of the warning: immediately, therefore, after the last death that had taken place among his household, he repaired to a friend at a neighbouring shop, and, calling to him several other persons from the adjoining and opposite shops, he reminded them of his dream, acquainted them with its almost complete fulfilment, and expressed his conviction that he, the eleventh, should very soon die. "Perhaps," said he, "I shall die this next night: I beg of you, therefore, for the sake of God, to come to my house early to-morrow morning, and the next morning and the next if necessary, and to see if I be dead, and, when dead, that I be properly buried; for I have no one with me to wash and shroud me. Fail not to do me this service, which will procure you a recompense in heaven. I have bought my grave-linen: you will find it in a corner of the room in which I sleep. If you find the door of the house latched, and I do not answer to your knocking, break it open."
Soon after sunset he laid himself in his lonely bed, though without any expectation of closing his eyes in sleep; for his mind was absorbed in reflections upon the awful entry into another world, and a review of his past life. As the shades of night gathered around him, he could almost fancy that he beheld, in one faint object or another in his gloomy chamber, the dreadful person of the Angel of Death: and at length he actually perceived a figure gliding in at the door, and approaching his bed. Starting up in horror, he exclaimed, "Who art thou?"—and a stern and solemn voice answered, "Be silent! I am 'Azraeel, the Angel of Death!"—"Alas!" cried the terrified man; "I testify that there is no deity but God, and I testify that Moḥammad is God's Apostle! There is no strength nor power but in God, the High! the Great! To God we belong, and to Him we must return!"—He then covered himself over with his quilt, as if for protection, and lay with throbbing heart, expecting every moment to have his soul torn from him by the inexorable messenger. But moments passed away, and minutes, and hours; yet without his experiencing any hope of escape; for he imagined that the Angel was waiting for him to resign himself, or had left him for a while, and was occupied in receiving first the souls of the many hundred human beings who had attained their predestined term in that same night and in the same city, and the souls of the thousands who were doomed to employ him elsewhere. Daybreak arrived before his sufferings terminated; and his neighbours, coming according to their promise, entered his chamber, and found him still in bed; but observing that he was covered up, and motionless as a corpse, they doubted whether he were still alive, and called to him. He answered, with a faint voice, "I am not yet dead; but the Angel of Death came to me in the dusk of the evening, and I expect every moment his return, to take my soul: therefore trouble me not; but see me washed and buried."—"But why," said his friends, "was the street-door left unlatched?"—"I latched it," he answered, "but the Angel of Death may have opened it."—"And who," they asked, "is the man in the court?"—He answered, "I know of no man in the court: perhaps the Angel who is waiting for my soul has made himself visible to you, and been mistaken, in the twilight, for a man."—"He is a thief," they said, "who has gathered together everything in the house that he could carry away, and has been struck by the plague while doing so, and now lies dead in the court, at the foot of the stairs, grasping in his hand a silver candlestick."—The master of the house, after hearing this, paused for a moment, and then, throwing off his quilt, exclaimed, "Praise be to God, the Lord of all creatures! That is the eleventh, and I am safe! No doubt it was that rascal who came to me and said that he was the Angel of Death. Praise be to God! Praise be to God!"
This man survived the plague, and took pleasure in relating the above story. The thief had overheard his conversation with his neighbours, and, coming to his house in the dusk, had put his shoulder to the wooden lock, and so raised the door and displaced the latch within.—There is nothing wonderful in the dream, nor in its accomplishment; the plague of 1835 entirely desolated many houses, and was mostly fatal to the young; and all the inhabitants of the house in question were young excepting the master.
Note 77. "'Ajeeb" signifies "a wonder," or "anything strange or admirable."
Note 78. Blue is the colour of mourning, as before mentioned, in No. 52 of the notes to the second chapter.
Note 79. Smearing the face and slapping the cheeks are common practices of Arab women, especially of the lower orders, on following to the grave the corpse of a near relation or a husband.
Note 80.—On the Rukh'. This fabulous bird is described by many Arab writers, some of whom assert that it can carry a rhinoceros, while others ascribe to it powers still more extraordinary. I shall have occasion to speak of it again in my notes to this work.
Note 81. This is explained by No. 30 of the notes to the Introduction.
Note 82. I here return to the Cairo edition.
Note 83. Some of the incidents described in this story, as the shipwrecks caused by the image, and the opening of the forbidden closet, &c., appear to be taken from the romance of Seyf Zu-l-Yezen, of which I possess a copy, purchased during my second visit to Egypt. This romance, which has become extremely scarce, is filled with stories of genii and enchantments of the most extravagant kind. Some of the public story-tellers in Cairo used, a few years since, to amuse their audiences by recitations from it. I was not able to discover the period at which it was composed; but it is said to have been written long before the Tales of a Thousand and One Nights. I saw once a portion of a copy of which it appeared, from the hand-writing and the paper, to be three or four centuries old.
Note 84. So in the Calcutta edition of the first two hundred nights, and in the edition of Breslau.
Note 85. Those decrees which are written with "the Pen" on the "Preserved Tablet" are believed to be unchangeable. "The Pen" is also the title of one of the chapters of the Ḳur-án, the 68th.
Note 86. In all the copies of the original which I have by me, El-Baṣrah is said to have been the place to which the lady designed to voyage; but this is inconsistent with the sequel of the story.
Note 87. In the old version, two strange errors occur in the passage corresponding with this: two words in the original, "nár" and "doon," having been mistaken for a proper name; and the word "jebbár," which, applied to God, signifies "almighty," or rather the "Compeller of his creatures to do whatsoever He willeth," being taken in the sense of "giant," which it bears in many other cases.
Note 88.—On Martyrs. The Mohammadan law distinguishes several different descriptions of martyrs. This honourable title is given to the soldier who dies in fighting for the faith, or on his way to do so, or who dies almost immediately after his having been wounded when so engaged; to a person who innocently meets with his death from the hand of another; to a victim of the plague, who does not flee from the disease, or of dysentery; to a person who is drowned; and to one who is killed by the falling of a wall or any building. It is said that the souls of martyrs, after quitting their bodies, reside, until the day of resurrection, in the crops of green birds, which eat of the fruits, and drink of the waters, of Paradise. Such we are to consider as the first and lowest state of felicity to which the young prince in this tale was introduced as the reward of his virtue.
Note 89. The share inherited, according to the law, by the wife, or by the wives conjointly when there are more than one, is one-eighth of what remains of the property of the deceased after the discharge of his debts and legacies, if he have left issue; and one-fourth, if he have left no issue.
Note 90. The Arabs, fond of hyperbole, often thus describe a lofty building.
Note 91.—On the Magnificence of Arab Palaces, &c. After remarking upon the preceding sentence as presenting an instance of Oriental hyperbole, it may be necessary to inform the reader that he needs not regard this in the same light. The magnificence of the palaces of Baghdád in the times of the Khaleefehs almost exceeds belief.
In the beginning of the year of the Flight 305 (June, A.D. 917), two ambassadors from the Greek Emperor (Constantine IX., Porphyrogenitus) arrived in Baghdád on a mission to the Khaleefeh El-Muḳtedir, bringing an abundance of costly presents; and the scenes which they witnessed are thus described; apparently, however, not without some exaggeration. They were first received by the Wezeer, who, at the audience which he granted to them in his garden-palace, displayed on this occasion a degree of magnificence that had never before been manifested by any of his rank; pages, memlooks, and soldiers, crowded the avenues and courts of his mansion, the apartments of which were hung with tapestry of the value of thirty thousand deenárs; and the Wezeer himself was surrounded by generals and other officers on his right and left and behind his seat, when the two ambassadors approached him, dazzled by the splendour that surrounded them, to beg for an interview with the Khaleefeh. El-Muḳtedir, having appointed a day on which he would receive them, ordered that the courts and passages and avenues of his palace should be filled with armed men, and that all the apartments should be furnished with the utmost magnificence. A hundred and sixty thousand armed soldiers were arranged in ranks in the approach to the palace; next to these were the pages of the closets, and chief eunuchs, clad in silk and with belts set with jewels, in number seven thousand; four thousand white, and three thousand black: there were also seven hundred chamberlains; and beautifully ornamented boats of various kinds were seen floating upon the Tigris, hard by. The two ambassadors passed first by the palace of the chief chamberlain, and, astonished at the splendid ornaments and pages and arms which they there beheld, imagined that this was the palace of the Khaleefeh; but what they had seen here was eclipsed by what they beheld in the latter, where they were amazed by the sight of thirty-eight thousand pieces of tapestry of gold-embroidered silk brocade, and twenty-two thousand magnificent carpets. Here also were two menageries of beasts by nature wild, but tamed by art, and eating from the hands of men: among them were a hundred lions; each lion with its keeper. They then entered the Palace of the Tree, enclosing a pond from which rose the Tree: this had eighteen branches, with leaves of various colours (being artificial), and with birds of gold and silver (or gilt and silvered) of every variety of kind and size, perched upon its branches, so constructed that each of them sang. Thence they passed into the garden, in which were furniture and utensils not to be enumerated: in the passages leading to it were suspended ten thousand gilt coats of mail. Being at length conducted before El-Muḳtedir, they found him seated on a couch of ebony inlaid with gold and silver, to the right of which were hung nine necklaces of jewels, and the like to the left, the jewels of which outshone the light of day. The two ambassadors paused at the distance of about a hundred cubits from the Khaleefeh, with the interpreter. Having left the presence, they were conducted through the palace, and were shewn splendidly-caparisoned elephants, a giraffe, lynxes, and other beasts. They were then clad with robes of honour, and to each of them was brought fifty thousand dirhems, together with dresses and other presents. It is added, that the ambassadors approached the palace through a street called "the Street of the Menárehs," in which were a thousand menárehs, or menarets. It was at the hour of noon; and as they passed, the muëddins from all these menárehs chanted the call to prayer at the same time, so that the earth almost quaked at the sound, and the ambassadors were struck with fear.274
The Orientals well understand how to give the most striking effect to the jewels which they display on their dress, &c., on occasions of state. Sir John Malcolm, describing his reception by the late King of Persia, says, "His dress baffled all description. The ground of his robes was white; but he was so covered with jewels of an extraordinary size, and their splendour, from his being seated where the rays of the sun played upon them, was so dazzling, that it was impossible to distinguish the minute parts which combined to give such amazing brilliancy to his whole figure."275
Note 92. As this marriage is described as conducted in an irregular manner, I need say nothing at present of the ceremonies usually practised on such an occasion.
Note 93. Every person who has visited Eastern cities will bear testimony to the plausibility of this excuse. I have several times been thrown down by the wide load of a camel in the streets of Cairo, and seen loads of firewood scraping the houses on both sides of a street at the same time.
Note 94. Women suspected of infidelity to their husbands have not unfrequently been thus punished in Egypt in modern times, in violation of the law.
Note 95. "Saạd" signifies "happiness," or "prosperity," and also "happy," or "prosperous."
Note 96. Pity is of more important service to the Muslim after death than during life; for the prayers which it inspires increase his happiness in futurity, or diminish his misery.
Note 97. This allusion to religious faith is peculiarly apt in the mouth of a Muslim; for the chief dogma of his creed is the denial of any partnership in the Divine essence. He calls persons of all other religions "mushriks," or those who attribute partners to God.
Note 98. In the original, she is here called an 'Efreeteh, which is an improper term.
Note 99. This salutation and its reply are only to be given by and to Muslims.
Note 100. It is implied by this ejaculation that the two ladies were admirable beauties, evidences of the perfection of their Creator.
175 See Ḳur-án, ch. ii. v. 96.
176 See Ḳur-án, ch. ii. v. 96.
177 El-Ḳazweenee, account of the well of Bábil, in "'Ajáïb el-Makhlooḳát."
178 Mishkát el-Maṣábeeḥ, vol. ii. p. 339.
179 De Sacy's Chrestomathie Arabe, vol. i. pp. 125-131, Arabic text, 2nd ed.
180 That is, a race-course for sallies of wit and eloquence on the subject of wine: the word "kumeyt" being used, in preference to more than a hundred others that might have been employed, as signifying "wine," because it bears also the meaning of "a dark bay horse."
181 His name is not mentioned in my copy; but D'Herbelot states it to have been Shems-ed-Deen Moḥammad Ibn-Bedr-ed-Deen Ḥasan, el-Ḳáḍee; and writes his surname "Naouagi," or "Naouahi."
182 Ch. ii. v. 216.
183 Ch. iv. v. 46.
184 Leviticus, ch. x. v. 9.
185 Ḳur-án, ch. v. v. 92.
186 Ḥalbet el-Kumeyt, ch. ix.
187 Idem, khátimeh, or conclusion.
188 Ibid.
189 Fakhr-ed-Deen, in De Sacy's Chrestomathie Arabe, vol. i. p. 23, Arabic text, 2nd ed.
190 "While tears of blood trickle from the strainer, the ewer beneath it giggles." (Eṣ-Ṣadr Ibn-El-Wekeel, quoted in the Ḥalbet el-Kumeyt, ch. xiii.)—The strainer is called "ráwooḳ."
191 The Moḥtesib is inspector of the markets, the weights and measures, and provisions, &c.
192 Mir-át ez-Zemán, events of the year 295.
193 In Arabic, "báṭiyeh."
194 "Baṭṭah."
195 "Ḳinneeneh."
196 "Ibreeḳs."
197 The cup, when full, was generally called "kás:" when empty, "ḳadaḥ" or "jám." The name of "kás" is now given to a small glass used for brandy and liqueurs, and similar to our liqueur-glass: the glass or cup used for wine is called, when so used, "koobeh:" it is the same as that used for sherbet; but in the latter case it is called "ḳulleh."
198 "Nuḳuldáns."
199 "Nuḳl."
200 "Belaḥ."
201 "Ruṭab."
202 Es-Suyooṭee, account of the fruits of Egypt, in his history of that country (MS. in my possession)
203 Ibid.
204 Es-Suyooṭee, account of the fruits of Egypt, in his history of that country (MS. in my possession).
205 El-Ḳazweenee (MS. in my possession).
206 "Jummár."
207 "Biṭṭeekh," vulg., "baṭṭeekh."
208 El-Ḳazweenee.
209 "Móz."
210 Es-Suyooṭee, ubi suprà.
211 "Rummán".
212 Es-Suyooṭee, ubi suprà.
213 The Arabic names of these fruits are, tuffáḥ (vulg., tiffáḥ), kummetrè, safarjal, mishmish, khókh, teen, jummeyz (vulg., jemmeyz), 'eneb, nabḳ or sidr, 'onnáb (vulg., 'annáb), ijjás or barḳooḳ, józ, lóz, bunduḳ, fustuḳ, burtuḳán, nárinj, leymoon, utrujj or turunj and kebbád, toot, zeytoon, and ḳaṣab es-sukkar.
214 "Ward."
215 Ḥalbet el-Kumeyt, ch. xvii.; and Es-Suyooṭee, account of the flowers of Egypt, in his history of that country.
216 Ḥalbet el-Kumeyt, ch. xvii.
217 Ibid.
218 Ibid.
219 Ibid.
220 Es-Suyooṭee, ubi suprà.
221 The night of the Ascension.
222 Gabriel, who accompanied the Prophet.
223 The beast on which he rode from Mekkeh to Jerusalem previously to his ascension. These traditions are from Es-Suyooṭee, ubi suprà.
224 This flower is called "fághiyeh," and, more commonly, "temer el-ḥennè;" or, according to some, the fághiyeh is the flower produced by a slip of temer el-ḥennè planted upside down, and superior to the flower of the latter planted in the natural way.
225 Es-Suyooṭee, ubi suprà.
226 "Benefsej."
227 Es-Suyootee.
228 "Ás," or "narseen."
229 Es-Suyooṭee.
230 "Shaḳáïḳ." The "adhriyoon," or "ádharyoon," is said to be a variety of the anemone.
231 From the former, or from "noạmán" as signifying "blood," the anemone was named "shaḳáïḳ en-noạmán."
232 "Menthoor," or "kheeree."
233 Ḥalbet el-Kumeyt, ch. xvii.
234 "Narjis."
235 Ḥalbet el-Kumeyt, ubi suprà; Es-Suyooṭee, ubi suprà; and El-Ḳazweenee.
236 The Arabic names of these flowers are, yásemeen, nisreen, zahr (or zahr nárinj), soosan, reeḥán (or ḥabaḳ), nemám, bahár, uḳ-howán, neelófar, beshneen, jullanár or julnár, khashkhásh, khiṭmee, zaạfarán, 'oṣfur, kettán, báḳillà and lebláb, and lóz.
237 "Bán," and "khiláf" or "khaláf." Both these names are applied to the same tree (which, according to Forskal, differs slightly from the salix Ægyptiaca of Linnæus) by the author of the Ḥalbet el-Kumeyt, and by the modern Egyptians.
238 Ḥalbet el-Kumeyt, ch. xiv.
239 Idem, ch. xi.
240 Mishkát el-Maṣábeeḥ, vol. ii. p. 425.
241 Ḥalbet el-Kumeyt, ch. xiv.
242 Soft boots, worn inside the slippers or shoes.
243 This is so vaguely described by the Arab lexicographers that I cannot obtain a definite notion of its form.
244 Ḥalbet el-Kumeyt, loco laudato.
245 Halbet el-Kumeyt, ch. xiv.
246 He was born in the year of the Flight 125, and died in 213, or, according to some, 188.—Abulfedæ Annales, vol. ii. pp. 150 and 675.
247 He was born in the year of the Flight 150, and died in 235.—Idem, adnot., pp. 691 et seq.; and Mir-át ez-Zemán, events of the year 235.
248 Mir-át ez-Zemán, events of the year 231. He died in this year.
249 I believe this Khaleefeh was El-Ma-moon.
250 A quarter in Baghdád.
251 That is, "My master."—Ed.
252 Ḥalbet el-Kumeyt, ch. vii.
253 Nuzhet el-Mutaämmil wa-Murshid el-Mutaähhil.
254 El-Maḳreezee, in De Sacy's Chrestomathie Arabe, vol. i. p. 265, 2nd ed.
255 Ibid.
256 El-Maḳreezee, in his "Khiṭaṭ," and his history of the Memlook Sulṭáns, translated by Quatremère; El-Is-ḥáḳee; and D'Ohsson, Tableau Général de l'Empire Othoman.
257 D'Ohsson (vol. i. pp. 315 and 316) asserts the Ḳuṭb to be the chief minister of the Ghós; and gives an account somewhat different from that which I offer of the orders under his authority: but perhaps the Turkish Darweeshes differ from the Arab in their tenets on this subject.
258 It is said that "the Nuḳabà are three hundred; the Nujabà, seventy; the Abdál, forty; the Akhyár, seven; the 'Omud, four; the Ghós [as before mentioned,] is one. The Nuḳabà reside in El-Gharb [Northern Africa to the west of Egypt]; the Nujabà, in Egypt; the Abdál, in Syria; the Akhyár travel about the earth; the 'Omud, in the corners of the earth; the abode of the Ghós is at Mekkeh. In an affair of need, the Nuḳabà implore relief for the people; then, the Nujabà; then, the Abdál; then, the Akhyár; then, the 'Omud; and if their prayer be not answered, the Ghós implores, and his prayer is answered." (El-Is-ḥáḳee's History, preface.)—This statement, I find, rests on the authority of a famous saint of Baghdád, Aboo-Bekr El-Kettánee, who died at Mekkeh, in the year of the Flight 322. (Mir-át ez-Zemán, events of the year above mentioned.)
259 El-Jabartee's History of Modern Egypt, vol. ii., obituary of the year 1201 (MS. in my possession).—The appellation of "the four Ḳuṭbs" is given in Egypt to the seyyid Aḥmad Rifá'ah, the seyyid 'Abd-El-Ḳádir El-Geelánee, the seyyid Aḥmad El-Bedawee, and the seyyid Ibráheem Ed-Dasooḳee, the founders of the four orders of darweeshes most celebrated among the Arabs, called Rifá'eeyeh, Ḳádireeyeh, Aḥmedeeyeh, and Baráhimeh.
260 El-Jabartee's History, vol. i., obituary of the year 1188.
261 Mir-át ez-Zemán, events of the year 291.
262 Mir-át ez-Zemán, events of the year 291.
263 Idem, events of the year 218.
264 Idem, events of the year 334.
265 Nuzhet el-Mutaämmil, &c., sect. 4.
266 These are two very celebrated welees.
267 The opening chapter of the Ḳur-án.
268 El-Jabartee's History, vol. iii., events of the month of Shaạbán, 1215 (A.D. 1800-1801).
269 Singers of religious odes.
270 El-Jabartee's History, vol. ii., obituary of the year 1207, and events of Rejeb, 1200; and vol. iii., events of Rabeeạ eth-Thánee, 1214.
271 El-Is-ḥáḳee, reign of El-Mutawekkil.
272 De Sacy's Chrestomathie Arabe, vol. i. pp. 122, 123, 2nd. ed.
273 "'Ajáïb el-Makhlooḳát."
274 Mir-át ez-Zemán, events of the year above mentioned.
275 Sketches of Persia, vol. ii. p. 129.