Lyrical Ballads, with a Few Other Poems
By William Wordsworth and Samuel Taylor Coleridge
Cover: Tintern Abbey: The Crossing and Chancel, looking towards the East Window (1794), watercolour by J. M. W. Turner (1775-1851) · Wikimedia Commons · Public domain (artist died 1851)
The 1798 volume that began English Romantic poetry puts Coleridge's Rime of the Ancyent Marinere beside Wordsworth's ballads of country life, among them We Are Seven, The Thorn and The Idiot Boy. It closes with the lines written above Tintern Abbey, and the spelling is that of the first edition.
Summary written with Claude Sonnet 5.5.
Table of contents
- 1: The Rime of the Ancyent Marinere, in Seven Parts
- 2: The Foster-Mother’s Tale, a Dramatic Fragment
- 3: Lines Left upon a Seat in a Yew-Tree Which Stands Near the Lake of Esthwaite, on a Desolate Part of the Shore, Yet Commanding a Beautiful Prospect
- 4: The Nightingale
- 5: The Female Vagrant
- 6: Goody Blake, and Harry Gill, a True Story
- 7: Lines Written at a Small Distance from My House, and Sent by My Little Boy to the Person to Whom They Are Addressed
- 8: Simon Lee, the Old Huntsman, with an Incident in Which He Was Concerned
- 9: Anecdote for Fathers Shewing How the Art of Lying May Be Taught
- 10: We Are Seven
- 11: Lines Written in Early Spring
- 12: The Thorn
- 13: The Last of the Flock
- 14: The Dungeon
- 15: The Mad Mother
- 16: The Idiot Boy
- 17: Lines Written Near Richmond, upon the Thames, at Evening
- 18: Expostulation and Reply
- 19: The Tables Turned; an Evening Scene, on the Same Subject
- 20: Old Man Travelling; Animal Tranquillity and Decay, a Sketch
- 21: The Complaint of a Forsaken Indian Woman
- 22: The Convict
- 23: LINES WRITTEN A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS OF THE WYE DURING A TOUR, July 13, 1798